![\"\"](\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-734x1024.jpg\")
<\/figure>\n\n\n\nTheory and practice of intellectual property
\u2116 5 \/ 2020<\/p>\n\n\n\n
ISSN (Print) 2308-0361
ISSN (Online) 2519-2744<\/p>\n\n\n\n
![\"\"](\"https:\/\/test.inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png\"){kind=icon}
PDF (Ukrainian)<\/a><\/div>\n<\/div>\n\n\n\nDOI: https:\/\/doi.org\/10.33731\/52020.233731<\/a><\/p>\n\n\n\n Published 2020-11-30<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n<\/div>\n\n\n\n Features of the copyright protection of some specific works of contemporary art<\/strong><\/p>\n\n\n\n Olha Ulitina<\/strong> <\/p>\n\n\n\n Abstract An analysis of the Ukrainian legislation and the foreign countries legislation in this area was made, and it allowed to identify such atypical objects in the system of modern art works and in the system of copyright objects.<\/p>\n\n\n\n Contemporary art is interesting and complex phenomenon, which is characterized by the great influence of technology, rapid development and large profits. Today, as never before, we can say that creativity can benefit its creator, and art is becoming more accessible to anyone who wants to create something.<\/p>\n\n\n\n New platforms for creativity often appear. Frequently they are free of charge, and help new authors to gain an audience and become popular. This process can be observed in almost all creative fields. That has given the impetus to the rapid development and rise of all manifestations of art.Of course, the Internet influences this process the most. The Internet provides access to great opportunities for creating works and promoting them among content consumers. The Internet quickly makes talented people rich and popular, but it also quickly makes people forget about yesterday’s idols.<\/p>\n\n\n\n However, such processes are beneficial for the art development and modern culture strengthening. They lead to the new arts emergence and to the development of culture and creativity in general, as well as attract funds to the creative industries.<\/p>\n\n\n\n This situation leads to the emergence of new atypical copyright objects, which remain outside the legal regulation, and sometimes are found on the verge of infringement of copyright and related rights.<\/p>\n\n\n\n Due to the opportunities created by technological and technical development, creativity becomes more accessible, art becomes the prerogative not only of professional artists, but of ordinary talented people. This leads to the emergence of new interesting types of works, the legal status of which is sometimes quite difficult to determine. So the article is dedicated to the issues of legal regulating of this new atypical copyright objects.<\/p>\n\n\n\n Keywords: <\/strong>copyright, untypical objects, copyright protection<\/p>\n\n\n\n References<\/strong><\/p>\n\n\n\n \u041f\u0440\u043e \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0435 \u043f\u0440\u0430\u0432\u043e \u0456 \u0441\u0443\u043c\u0456\u0436\u043d\u0456 \u043f\u0440\u0430\u0432\u0430 : \u0417\u0430\u043a\u043e\u043d \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0432\u0456\u0434 23.12.1993 No 3792-XII. Disclaimer. Caitlyn Carson Fanfiction and copyright \/ YA Hotline No 104 (2017): FANFICTION. Copyright Law of the United States. U.S. Copyright Office, Compendium of U.S. Copyright Office Practices \u00a7 101 (3d ed. 2017) Ch.311.2. \u0421.12. \u0428\u0442\u0435\u0444\u0430\u043d \u0410. \u0421. \u0410\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0435 \u043f\u0440\u0430\u0432\u043e \u0456 \u0441\u0443\u043c\u0456\u0436\u043d\u0456 \u043f\u0440\u0430\u0432\u0430: \u043e\u0441\u043e\u0431\u043b\u0438\u0432\u043e\u0441\u0442\u0456 \u043f\u0440\u0430\u0432\u043e\u0432\u043e\u0457 \u043e\u0445\u043e\u0440\u043e\u043d\u0438, \u0437\u0434\u0456\u0439\u0441\u043d\u0435\u043d\u043d\u044f \u0442\u0430 \u0437\u0430\u0445\u0438\u0441\u0442\u0443 : \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0456\u044f. \u041a\u0438\u0457\u0432 : \u041d\u0414\u0406 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456 \u041d\u0410\u041f\u0440\u041d \u0423\u043a\u0440\u0430\u0457\u043d\u0438, \u0422\u041e\u0412 \u00ab\u041d\u0412\u041f \u0406\u043d\u0442\u0435\u0440\u0441\u0435\u0440\u0432\u0456\u0441\u00bb, 2017. 150 \u0441.<\/p>\n\n\n\n \u041f\u0440\u043e \u0437\u0430\u0441\u0442\u043e\u0441\u0443\u0432\u0430\u043d\u043d\u044f \u0441\u0443\u0434\u0430\u043c\u0438 \u043d\u043e\u0440\u043c \u0437\u0430\u043a\u043e\u043d\u043e\u0434\u0430\u0432\u0441\u0442\u0432\u0430 \u0443 \u0441\u043f\u0440\u0430\u0432\u0430\u0445 \u043f\u0440\u043e \u0437\u0430\u0445\u0438\u0441\u0442 \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u043e\u0433\u043e \u043f\u0440\u0430\u0432\u0430 \u0456 \u0441\u0443\u043c\u0456\u0436\u043d\u0438\u0445 \u043f\u0440\u0430\u0432 : \u041f\u043e\u0441\u0442\u0430\u043d\u043e\u0432\u0430 \u041f\u043b\u0435\u043d\u0443\u043c\u0443 \u0412\u0435\u0440\u0445\u043e\u0432\u043d\u043e\u0433\u043e \u0421\u0443\u0434\u0443 \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0432\u0456\u0434 04.06.2010 No 5. \u0423\u043b\u044c\u044f\u043d\u043e\u0432\u0430 \u0413. \u041e. \u041f\u043e\u0440\u0443\u0448\u0435\u043d\u043d\u044f \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0438\u0445 \u043f\u0440\u0430\u0432 \u043f\u0456\u0434 \u0447\u0430\u0441 \u0441\u0442\u0432\u043e\u0440\u0435\u043d\u043d\u044f \u043f\u043e\u0445\u0456\u0434\u043d\u0438\u0445 \u0442\u0432\u043e\u0440\u0456\u0432. \u041f\u0440\u0430\u0432\u043e\u0432\u0435 \u0436\u0438\u0442\u0442\u044f \u0441\u0443\u0447\u0430\u0441\u043d\u043e\u0457 \u0423\u043a\u0440\u0430\u0457\u043d\u0438 : \u043c\u0430\u0442\u0435\u0440\u0456\u0430\u043b\u0438 \u043c\u0456\u0436\u043d\u0430\u0440. \u043d\u0430\u0443\u043a.-\u043f\u0440\u0430\u043a\u0442. \u043a\u043e\u043d\u0444., \u043f\u0440\u0438\u0441\u0432\u044f\u0447. \u044e\u0432\u0456\u043b\u0435\u044e \u0430\u043a\u0430\u0434\u0435\u043c\u0456\u043a\u0430 \u0421. \u0412. \u041a\u0456\u0432\u0430\u043b\u043e\u0432\u0430, (16\u221217 \u0442\u0440\u0430\u0432\u043d\u044f 2014 \u0440., \u043c. \u041e\u0434\u0435\u0441\u0430) \u0443 2 \u0442. \u0422. 1 \/ \u0432\u0456\u0434\u043f. \u0440\u0435\u0434. \u0412. \u041c. \u0414\u0440\u044c\u043e\u043c\u0456\u043d. \u041e\u0434\u0435\u0441\u0430 : \u042e\u0440\u0438\u0434\u0438\u0447\u043d\u0430 \u043b\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430, 2014. \u0421. 483\u2013485.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":" Theory and practice of intellectual property\u2116 5 \/ 2020 ISSN (Print) 2308-0361ISSN (Online) 2519-2744 DOI: https:\/\/doi.org\/10.33731\/52020.233731 Published 2020-11-30 Features of the copyright protection of some specific works of contemporary art Olha UlitinaUkrainehttps:\/\/orcid.org\/0000-0003-0230-9477 AbstractThe article is devoted to the legal protection issues of the atypical objects of copyright, which belong to modern arts. The place and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9992","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/comments?post=9992"}],"version-history":[{"count":5,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9992\/revisions"}],"predecessor-version":[{"id":9998,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9992\/revisions\/9998"}],"wp:attachment":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/media?parent=9992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/inprojournal.org\/wp-content\/uploads\/2025\/11\/CC-2.png\")
<\/figure>\n\n\n\n
Ukraine
https:\/\/orcid.org\/0000-0003-0230-9477<\/a><\/p>\n\n\n\n
<\/strong>The article is devoted to the legal protection issues of the atypical objects of copyright, which belong to modern arts. The place and role of such objects in the system of copyright objects are defined. Based on the study of doctrinal provisions on such atypical objects, their differences from traditional objects of copyright are determined. In article it is also indicated how the place of such objects in the system of contemporary art influences it.<\/p>\n\n\n\n
https:\/\/zakon.rada.gov.ua\/laws\/show\/3792-12#Text<\/a><\/p>\n\n\n\n
https:\/\/fanlore.org\/wiki\/Disclaimer#:~:text=A%20disclaimer%20is%20a%20statement,piece%20of%20fanfiction%20or%20fanart<\/a><\/p>\n\n\n\n
https:\/\/ojs.library.dal.ca\/YAHS\/article\/view\/6950\/6011<\/a><\/p>\n\n\n\n
http:\/\/www.copyright.gov\/title17\/92chap1.html#101<\/a><\/p>\n\n\n\n
https:\/\/www.copyright.gov\/comp3\/chap300\/ch300-copyrightable-authorship.pdf<\/a><\/p>\n\n\n\n
https:\/\/zakon.rada.gov.ua\/laws\/show\/v0005700-10#Text<\/a><\/p>\n\n\n\n