{"id":9452,"date":"2026-01-30T22:44:13","date_gmt":"2026-01-30T20:44:13","guid":{"rendered":"https:\/\/inprojournal.org\/?page_id=9452"},"modified":"2026-02-03T21:40:09","modified_gmt":"2026-02-03T19:40:09","slug":"2021-5-4","status":"publish","type":"page","link":"https:\/\/inprojournal.org\/en\/2021-5-4\/","title":{"rendered":"2021-5-4"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1024\" src=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-734x1024.jpg\" alt=\"\" class=\"wp-image-3609\" style=\"width:217px;height:302px\" srcset=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-734x1024.jpg 734w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-215x300.jpg 215w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-768x1071.jpg 768w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-1101x1536.jpg 1101w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-1468x2048.jpg 1468w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-scaled.jpg 1835w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><\/figure>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">Theory and practice of intellectual property<br>\u2116 5 \/ 2021<\/p>\n\n\n\n<p class=\"has-small-font-size\">ISSN (Print) 2308-0361<br>ISSN (Online) 2519-2744<\/p>\n\n\n\n<div class=\"wp-block-buttons has-custom-font-size is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-fdcfc74e wp-block-buttons-is-layout-flex\" style=\"font-size:10px\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-black-color has-text-color has-custom-font-size wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1cZbWDUGy6WOMh5iHVgJ6JTfk0cqtYchp\/view\" style=\"border-radius:10px;font-size:10px\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"14\" height=\"14\" class=\"wp-image-362\" style=\"width: 14px;\" src=\"https:\/\/test.inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png\" alt=\"\" srcset=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png 512w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-300x300.png 300w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-150x150.png 150w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-450x450.png 450w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-106x106.png 106w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-80x80.png 80w\" sizes=\"auto, (max-width: 14px) 100vw, 14px\" \/> PDF (Ukrainian)<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">DOI: <a href=\"https:\/\/doi.org\/10.33731\/52021.244509\">https:\/\/doi.org\/10.33731\/52021.244509<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\">Published \u00a0\u00a0\u00a0\u00a0\u00a02021-11-17<\/p>\n\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2025\/11\/CC-2.png\" alt=\"\" class=\"wp-image-6960\" style=\"width:131px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-medium-font-size\"><strong>Would architecture be a creative industry in Ukraine?<\/strong><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Hanna Ostapenko<\/strong><br>Ukraine<br><a href=\"https:\/\/orcid.org\/0000-0003-0529-2551\">https:\/\/orcid.org\/0000-0003-0529-2551<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Abstract<br><\/strong>The article is devoted to analysis of the legal position of architect has in relations with the client. Architecture is regarded as a creative industry in Ukraine, therefore the attention payed to protection of intellectual property rights in this sphere is important. The idea implemented in architectural model should be protected according to the protection of copyright. The industry remains creative until the level of creativeness is high in this economic sector and the number of people involved in production due to the effectiveness and demand for the product is increasing or remains constant. The result of art and of the architecture is not only the object of property, owned by a client, but also a piece of art protected as creation under copyright. The subject of such rights is an architect. The legal status of architect in Ukraine is provided by the right to supervision during the building process, demand of sighing a final act completing the construction, which means, the building is lead astray without breaking authors copyright. Other special rights are provided such as a right to make a photo of the object before destroying it.<\/p>\n\n\n\n<p>Despite regarding architecture objects as protected by copyright the draft law is adopted in the first reading that limits the rights and influence of architect has in the process of building. The draft law proposes an option for architect to transfer rights, being apart from the process of building. This can cause a situation when the building will be constructively changed, the creation will be changed without the authors participation. If this proposal will be implemented, the level of the creativeness in architecture would decrease and even lost. So, the total sphere risks losing the status of being creative. It is underlined that respect to the copyright in architecture is necessary to the industry and its development. In particular, such rights of the architect as a subject of intellectual property law will be under threat: the freedom of creativity, the right to the inviolability of the work, economic rights. Another thing which is of concern is the responsibility of the architect. The removal of the architect during the construction process poses a risk of absence of the culprit in case of deformation or destruction of the object, caused by a structural defect or defect of the project.<\/p>\n\n\n\n<p><strong>Keywords: <\/strong>creative industry, architectural creation, architectural solution, architect, authors rights of architect<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>References<\/strong><\/p>\n\n\n\n<p>\u041f\u0440\u043e \u0430\u0440\u0445\u0456\u0442\u0435\u043a\u0442\u0443\u0440\u043d\u0443 \u0434\u0456\u044f\u043b\u044c\u043d\u0456\u0441\u0442\u044c : \u0417\u0430\u043a\u043e\u043d \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0432\u0456\u0434 20.05.1999 \u0440. \u2116 687-\u0425\u0406V. \u0423\u0440\u044f\u0434\u043e\u0432\u0438\u0439 \u043a\u0443\u0440\u2019\u0454\u0440.1999. 1 \u043b\u0438\u043f\u043d\u044f.<\/p>\n\n\n\n<p>\u041f\u0440\u043e \u0432\u043d\u0435\u0441\u0435\u043d\u043d\u044f \u0437\u043c\u0456\u043d \u0434\u043e \u0434\u0435\u044f\u043a\u0438\u0445 \u0437\u0430\u043a\u043e\u043d\u043e\u0434\u0430\u0432\u0447\u0438\u0445 \u0430\u043a\u0442\u0456\u0432 \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0449\u043e\u0434\u043e \u0440\u0435\u0444\u043e\u0440\u043c\u0443\u0432\u0430\u043d\u043d\u044f \u0441\u0444\u0435\u0440\u0438 \u043c\u0456\u0441\u0442\u043e\u0431\u0443\u0434\u0456\u0432\u043d\u043e\u0457 \u0434\u0456\u044f\u043b\u044c\u043d\u043e\u0441\u0442\u0456 : \u043f\u0440\u043e\u0435\u043a\u0442 \u0437\u0430\u043a\u043e\u043d\u0443 \u0432\u0456\u0434 11.06.2021 \u0440. \u2116 5655.<\/p>\n\n\n\n<p>\u041f\u0440\u043e \u0437\u0430\u0442\u0432\u0435\u0440\u0434\u0436\u0435\u043d\u043d\u044f \u0432\u0438\u0434\u0456\u0432 \u0435\u043a\u043e\u043d\u043e\u043c\u0456\u0447\u043d\u043e\u0457 \u0434\u0456\u044f\u043b\u044c\u043d\u043e\u0441\u0442\u0456, \u044f\u043a\u0456 \u043d\u0430\u043b\u0435\u0436\u0430\u0442\u044c \u0434\u043e \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0438\u0445 \u0456\u043d\u0434\u0443\u0441\u0442\u0440\u0456\u0439 : \u043f\u043e\u0441\u0442\u0430\u043d\u043e\u0432\u0430 \u041a\u0430\u0431\u0456\u043d\u0435\u0442\u0443 \u041c\u0456\u043d\u0456\u0441\u0442\u0440\u0456\u0432 \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0432\u0456\u0434 24.04.2019 \u0440. \u2116\u2008265-\u0440.<br><a href=\"https:\/\/www.kmu.gov.ua\/npas\/pro-zatverdzchnoyi-diyalnosti-yaki-nalezhat-do-kreativnih-industrij\">https:\/\/www.kmu.gov.ua\/npas\/pro-zatverdzchnoyi-diyalnosti-yaki-nalezhat-do-kreativnih-industrij<\/a><\/p>\n\n\n\n<p>\u041c\u0438\u0440\u043e\u043d\u0435\u043d\u043a\u043e \u041d., \u0420\u0430\u0431\u043e\u0442\u044f\u0433\u043e\u0432\u0430 \u041b. \u0422\u0432\u0456\u0440 \u0430\u0440\u0445\u0456\u0442\u0435\u043a\u0442\u0443\u0440\u0438 \u044f\u043a \u043e\u0431\u2019\u0454\u043a\u0442 \u0434\u043e\u0433\u043e\u0432\u0456\u0440\u043d\u0438\u0445 \u0432\u0456\u0434\u043d\u043e\u0441\u0438\u043d. \u0422\u0435\u043e\u0440\u0456\u044f \u0456 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456. 2013. \u2116 6.&nbsp; \u0421. 10\u221220.<\/p>\n\n\n\n<p>\u0421\u043a\u0430\u0432\u0440\u043e\u043d\u0441\u044c\u043a\u0430 \u0406. \u0412. \u0417\u0430\u0445\u0438\u0441\u0442 \u043f\u0440\u0430\u0432 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456 \u043d\u0430 \u043f\u0440\u043e\u0434\u0443\u043a\u0442\u0438 \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u043e\u0457 \u0434\u0456\u044f\u043b\u044c\u043d\u043e\u0441\u0442\u0456 \u0432 \u0440\u0430\u043c\u043a\u0430\u0445 \u0456\u043c\u043f\u043b\u0435\u043c\u0435\u043d\u0442\u0430\u0446\u0456\u0457 \u0423\u0433\u043e\u0434\u0438 \u043f\u0440\u043e \u0430\u0441\u043e\u0446\u0456\u0430\u0446\u0456\u044e \u0423\u043a\u0440\u0430\u0457\u043d\u0430 \u2014 \u0404\u0421. \u041c\u043e\u043b\u043e\u0434\u0438\u0439 \u0432\u0447\u0435\u043d\u0438\u0439. \u2116 10 (74), \u0436\u043e\u0432\u0442\u0435\u043d\u044c 2019 \u0440. \u0421. 737\u2212742.<\/p>\n\n\n\n<p>\u0423\u0442\u0456\u043b\u0456\u043d\u0430 \u041e. \u041f\u0440\u0430\u0432\u043e\u0432\u0435 \u0440\u0435\u0433\u0443\u043b\u044e\u0432\u0430\u043d\u043d\u044f \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0438\u0445 \u0456\u043d\u0434\u0443\u0441\u0442\u0440\u0456\u0439 \u0432 \u0423\u043a\u0440\u0430\u0457\u043d\u0456. \u0422\u0435\u043e\u0440\u0456\u044f \u0456 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456. 2021. \u2116 1. \u0421. 5\u221212.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Theory and practice of intellectual property\u2116 5 \/ 2021 ISSN (Print) 2308-0361ISSN (Online) 2519-2744 DOI: https:\/\/doi.org\/10.33731\/52021.244509 Published \u00a0\u00a0\u00a0\u00a0\u00a02021-11-17 Would architecture be a creative industry in Ukraine? Hanna OstapenkoUkrainehttps:\/\/orcid.org\/0000-0003-0529-2551 AbstractThe article is devoted to analysis of the legal position of architect has in relations with the client. Architecture is regarded as a creative industry in Ukraine, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9452","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/comments?post=9452"}],"version-history":[{"count":3,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9452\/revisions"}],"predecessor-version":[{"id":9455,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9452\/revisions\/9455"}],"wp:attachment":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/media?parent=9452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}