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<\/figure>\n\n\n\nTheory and practice of intellectual property
\u2116 1 \/ 2022<\/p>\n\n\n\n
ISSN (Print) 2308-0361
ISSN (Online) 2519-2744<\/p>\n\n\n\n
![\"\"](\"https:\/\/test.inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png\"){kind=icon}
PDF (English)<\/a><\/div>\n<\/div>\n\n\n\nDOI: https:\/\/doi.org\/10.33731\/12022.258186<\/a><\/p>\n\n\n\n Published \u00a0\u00a0\u00a0\u00a0\u00a02022-06-03<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n<\/div>\n\n\n\n The structure of the television format and the characteristics of its elements as an audiovisual work<\/strong><\/p>\n\n\n\n Nadiia Fedorova<\/strong> <\/p>\n\n\n\n Abstract Keywords: <\/strong>television format, elements of television format, audiovisual production, copyright, television format structure<\/p>\n\n\n\n References<\/strong><\/p>\n\n\n\n Vakhonieieva T. Elements and procedure for the author’s agreement conclusion. Theory and practice of intellectual property. 2016. No 5 (91). PP.18\u201328.<\/p>\n\n\n\n Big explanatory dictionary of the modern Ukrainian language with app. and addit. \/ Chief Editor V. T. Busel. Kyiv, Irpin: VTF \u201cPerun\u201d, 2005. P. 939.<\/p>\n\n\n\n Halych O., Nazarets ., Vasyliev Ye. Theory of literature: textbook \/ by the scientific edition of \u041e. Halych, 4th ed., stereotype. \u041a.: Lybid, 2008. P. 144.<\/p>\n\n\n\n Ionas V. Ya. Criterion of creativity in copyright and jurisprudence \/ V. Ya. Ionas. Moscow: Juridical Literature, 1963. 140 p.<\/p>\n\n\n\n Kantorovych Ya.\u0410. Copyright in Literary, Musical, Artistic and Photographic Works. SPb.: \u00abPravo\u00bb, 2011. P. 105.<\/p>\n\n\n\n Kyiashko Yu. Director’s script as a plan for translating the author’s intention into a television program \/ Yu. \u041ayiashko. KhNU Bulletin. 2011. No 3. PP. 59\u201362.<\/p>\n\n\n\n Literary encyclopedia: Dictionary of literary notions: in 2 v. \/ by the edit. of N. Brodskyi, A. Lavretskyi, E. Lunin, V. Lvov-Rohachevskyi, M.Rozanov, V. Cheshykhin-Vetrinskii. M.; L.: L. D. Frenkel Publishing House, 1925.<\/p>\n\n\n\n Maratkanova A. A. Format of an audiovisual work as a result of intellectual property. New Juridical Bulletin. 2020. No 2 (16). PP. 31\u201334.<\/p>\n\n\n\n \u201cOn copyright and related rights\u00bb (as amended by Law No 212 from 29.07.2016): Law of Republic of Moldova No 139 dated 02 July, 2010. On the application by the courts of the norms of legislation in cases on the protection of copyright and related rights: Resolution of the Plenum of the Supreme Court of Ukraine on 04 June, 2010 No 5. Stromov Yu.A. The path of an actor to creative reincarnation \/ Yu. \u0410. Stromov. \u041c., 1975. 80 p.<\/p>\n\n\n\n Fridmen V.E. Protection of parts and structural elements of a work as objects of copyright in Russia and the USA: abstract of dissertation for the degree of candidate of juridical sciences \/ Fridmen V.E., \u041c., 2005.<\/p>\n\n\n\n Draft treaty on the protection of broadcasting organizations. Joint Proposal by the Delegations of South Africa and Mexico. Standing Committee on Copyright and Related Rights. 24th Session. Geneva, July 16 to 25, 2012.![\"\"](\"https:\/\/inprojournal.org\/wp-content\/uploads\/2025\/11\/CC-2.png\")
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Ukraine
https:\/\/orcid.org\/0000-0001-5490-1259<\/a><\/p>\n\n\n\n
<\/strong>The article reveals the issues regarding such a complex object of copyright as a television format. The television format is considered as a type of audiovisual work, its structure and characteristics of its elements are analyzed. The current legislation and judicial practice are reviewed, it is substantiated that the elements of the television format should be characterized by signs of originality, uniqueness, and singularity.<\/p>\n\n\n\n
http:\/\/www.wipo.int\/wipolex\/en\/text.jsp?file_id=421473<\/a><\/p>\n\n\n\n
https:\/\/zakon.rada.gov.ua\/laws\/show\/v0005700-10#Text<\/a><\/p>\n\n\n\n
http:\/\/www.wipo.int\/edocs\/mdocs\/copyright\/en\/sccr_24\/sccr_24_5.pdf<\/a><\/p>\n\n\n\n