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<\/figure>\n\n\n\nTheory and practice of intellectual property
\u2116 2 \/ 2022<\/p>\n\n\n\n
ISSN (Print) 2308-0361
ISSN (Online) 2519-2744<\/p>\n\n\n\n
![\"\"](\"https:\/\/test.inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png\"){kind=icon}
PDF (Ukrainian)<\/a><\/div>\n<\/div>\n\n\n\nDOI: https:\/\/doi.org\/10.33731\/22022.259741<\/a><\/p>\n\n\n\n Published 2022-06-23<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n<\/div>\n\n\n\n Literary works legal protection in creative industries<\/strong><\/p>\n\n\n\n Olha Ulitina<\/strong> <\/p>\n\n\n\n Abstract In this context, the legal protection of literary works is of particular importance. International legal protection of literary works is carried out in accordance with a number of international acts, including the Berne Convention for the Protection of Literary and Artistic Works, the Universal Copyright Convention of 1952, and some Directives of the European Parliament and the Council. In Ukraine the provision of legal protection to literary works is provided in accordance with the Law of Ukraine \u00abOn Copyright and Related Rights\u00bb.<\/p>\n\n\n\n The author concludes that legal protection of literary works can occur in compliance with two main requirements. The first \u2014 the work has to be fixed in a tangible form and has to be expressed in words. The second \u2014 it has to be the author’s own intellectual creation, that is the work has to be new and original, and the author has to make certain creative efforts to create it.<\/p>\n\n\n\n The protection of literary works plays a significant role in the development of creative industries and is crucial for the organization of their work. Compliance with the IP law concerning the creation and use of literary works in the creative industries is the basis for their economic growth, while violations of IP law and attempts to circumvent the legal mechanisms of the use of law reject the industry, in particular by preventing it from entering the international market.<\/p>\n\n\n\n Keywords: <\/strong>literary works, copyright, intellectual property law, creative industries, objects of copyright<\/p>\n\n\n\n References<\/strong><\/p>\n\n\n\n Berne Convention for the Protection of Literary and Artistic Works (as amended on September 28, 1979). Universal Copyright Convention as revised at Paris on 24 July 1971, with Appendix Declaration relating to Article XVII and Resolution concerning Article XI 1971. Directive (EU) 2019\/790 of the European Parliament and of the Council of 17 April 2019 on copyright and related rights in the Digital Single Market and amending Directives 96\/9\/EC and 2001\/29\/EC. Directive 2001\/29\/EC of the European Parliament and of the Council of 22 May 2001 on the harmonisation of certain aspects of copyright and related rights in the information society. Directive 2006\/116\/EC of the European Parliament and of the Council of 12 December 2006 on the term of protection of copyright and certain related rights (codified version). DIRECTIVE 2004\/48\/EC OF THE EUROPEAN PARLIAMENT AND OF THE COUNCIL of 29 April 2004 on the enforcement of intellectual property rights. Association Agreement between the European Union and its Member States, of the one part, and Ukraine, of the other part. \u0411\u0435\u0440\u043d\u0441\u044c\u043a\u0430 \u043a\u043e\u043d\u0432\u0435\u043d\u0446\u0456\u044f \u043f\u0440\u043e \u043e\u0445\u043e\u0440\u043e\u043d\u0443 \u043b\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u0438\u0445 \u0456 \u0445\u0443\u0434\u043e\u0436\u043d\u0456\u0445 \u0442\u0432\u043e\u0440\u0456\u0432 \u0432\u0456\u0434 24.07.1971 (\u043f\u0435\u0440\u0435\u043a\u043b\u0430\u0434 \u0443\u043a\u0440\u0430\u0457\u043d\u0441\u044c\u043a\u043e\u044e). \u041f\u0440\u043e \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0435 \u043f\u0440\u0430\u0432\u043e \u0456 \u0441\u0443\u043c\u0456\u0436\u043d\u0456 \u043f\u0440\u0430\u0432\u0430 : \u0417\u0430\u043a\u043e\u043d \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0432\u0456\u0434 23.12.1993 \u0440. \u2116\u20083792-XII. \u0412\u0441\u0435\u0441\u0432\u0456\u0442\u043d\u044f \u043a\u043e\u043d\u0432\u0435\u043d\u0446\u0456\u044f \u043f\u0440\u043e \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0435 \u043f\u0440\u0430\u0432\u043e 1952 \u0440\u043e\u043a\u0443 (\u043f\u0435\u0440\u0435\u043a\u043b\u0430\u0434 \u0443\u043a\u0440\u0430\u0457\u043d\u0441\u044c\u043a\u043e\u044e). \u041a\u0443\u043b\u0456\u043d\u0456\u0447 \u041e. \u0423\u043c\u043e\u0432\u0438 \u043d\u0430\u0434\u0430\u043d\u043d\u044f \u043f\u0440\u0430\u0432\u043e\u0432\u043e\u0457 \u043e\u0445\u043e\u0440\u043e\u043d\u0438 \u0442\u0432\u043e\u0440\u0430\u043c \u0442\u0430 \u043e\u043a\u0440\u0435\u043c\u0438\u043c \u0457\u0445 \u0435\u043b\u0435\u043c\u0435\u043d\u0442\u0430\u043c. \u0417\u0431\u0456\u0440\u043d\u0438\u043a \u043d\u0430\u0443\u043a\u043e\u0432\u0438\u0445 \u043f\u0440\u0430\u0446\u044c \u00ab\u0410\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u0456 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0438 \u0434\u0435\u0440\u0436\u0430\u0432\u0438 \u0456 \u043f\u0440\u0430\u0432\u0430\u00bb. 2011. \u0412\u0438\u043f\u0443\u0441\u043a 58. \u0421. 441\u2212449.<\/p>\n\n\n\n \u0428\u0442\u0435\u0444\u0430\u043d \u0410. \u0424\u0435\u043d\u043e\u043c\u0435\u043d \u0442\u0432\u043e\u0440\u0447\u043e\u0457 \u0434\u0456\u044f\u043b\u044c\u043d\u043e\u0441\u0442\u0456 \u0432 \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u043e\u043c\u0443 \u043f\u0440\u0430\u0432\u0456. \u0422\u0435\u043e\u0440\u0456\u044f \u0456 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456. 2018. \u2116 4. \u0421. 5\u201313.<\/p>\n\n\n\n \u0415\u043c\u043c\u0430 \u0428\u0435\u0440\u043a\u043b\u0456\u0444\u0444. \u0417\u0430\u043a\u043b\u044e\u0447\u043d\u0438\u0439 \u0437\u0432\u0456\u0442 2020. \u0412\u0438\u0434\u0430\u0432\u043d\u0438\u0447\u0430 \u0433\u0430\u043b\u0443\u0437\u044c \u0432 \u0423\u043a\u0440\u0430\u0457\u043d\u0456: \u0440\u0435\u0437\u0443\u043b\u044c\u0442\u0430\u0442\u0438 \u0434\u043e\u0441\u043b\u0456\u0434\u0436\u0435\u043d\u043d\u044f. Theory and practice of intellectual property\u2116 2 \/ 2022 ISSN (Print) 2308-0361ISSN (Online) 2519-2744 DOI: https:\/\/doi.org\/10.33731\/22022.259741 Published 2022-06-23 Literary works legal protection in creative industries Olha UlitinaUkrainehttps:\/\/orcid.org\/0000-0003-0230-9477 AbstractThe article is devoted to the issues of the literary works legal protection and its importance for the creative industries development. As long as literary works are one […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9181","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/comments?post=9181"}],"version-history":[{"count":4,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9181\/revisions"}],"predecessor-version":[{"id":9829,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9181\/revisions\/9829"}],"wp:attachment":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/media?parent=9181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/inprojournal.org\/wp-content\/uploads\/2025\/11\/CC-2.png\")
<\/figure>\n\n\n\n
Ukraine
https:\/\/orcid.org\/0000-0003-0230-9477<\/a><\/p>\n\n\n\n
<\/strong>The article is devoted to the issues of the literary works legal protection and its importance for the creative industries development. As long as literary works are one of the most common objects of copyright, they often serve as the basis for the creative industries activities. An important feature of literary works is that they can be both completely separate works and be part of other compiled works. This feature makes literary works important for the book publishing, film, computer game, advertising, marketing industries and also for education and culture.<\/p>\n\n\n\n
https:\/\/wipolex.wipo.int\/en\/text\/283698<\/a><\/p>\n\n\n\n
http:\/\/portal.unesco.org\/en\/ev.php-URL_ID=15241&URL_DO=DO_TOPIC&URL_SECTION=201.html<\/a><\/p>\n\n\n\n
https:\/\/eur-lex.europa.eu\/legal-content\/EN\/TXT\/HTML\/?uri=CELEX:32019L0790&from=EN<\/a><\/p>\n\n\n\n
https:\/\/eur-lex.europa.eu\/legal-content\/EN\/TXT\/?uri=CELEX%3A32001L0029&qid=1648284143554<\/a><\/p>\n\n\n\n
https:\/\/eur-lex.europa.eu\/legal-content\/EN\/TXT\/?uri=CELEX%3A32006L0116&qid=1648284143554<\/a><\/p>\n\n\n\n
https:\/\/eur-lex.europa.eu\/legal-content\/EN\/TXT\/?uri=CELEX%3A32004L0048&qid=1648284143554<\/a><\/p>\n\n\n\n
http:\/\/publications.europa.eu\/resource\/cellar\/4589a50c-e6e3-11e3-8cd4-01aa75ed71a1.0006.03\/DOC_1<\/a><\/p>\n\n\n\n
https:\/\/zakon.rada.gov.ua\/laws\/show\/995_051#Text<\/a><\/p>\n\n\n\n
https:\/\/zakon.rada.gov.ua\/laws\/show\/3792-12#Text<\/a><\/p>\n\n\n\n
https:\/\/zakon.rada.gov.ua\/laws\/show\/995_052#Text<\/a><\/p>\n\n\n\n
https:\/\/drive.google.com\/file\/d\/1hARQYry6tR5eSJpb3jzHTXDJPyTY75d3\/view?usp=sharing<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"