{"id":9000,"date":"2026-01-09T13:11:53","date_gmt":"2026-01-09T11:11:53","guid":{"rendered":"https:\/\/inprojournal.org\/?page_id=9000"},"modified":"2026-02-03T23:19:23","modified_gmt":"2026-02-03T21:19:23","slug":"2022-4-3","status":"publish","type":"page","link":"https:\/\/inprojournal.org\/en\/2022-4-3\/","title":{"rendered":"2022-4-3"},"content":{"rendered":"\n

<\/p>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Theory and practice of intellectual property
\u2116 4 \/ 2022<\/p>\n\n\n\n

ISSN (Print) 2308-0361
ISSN (Online) 2519-2744<\/p>\n\n\n\n

\n
\"\" PDF (Ukrainian)<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

DOI: https:\/\/doi.org\/10.33731\/42022.265846<\/a><\/p>\n\n\n\n

Published      2022-10-19<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n

Protection of the rights of performers in accordance with
German law<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

Volodymyr Drobyazko<\/strong>
Ukraine
https:\/\/orcid.org\/0000-0001-8506-1563<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n

Abstract
<\/strong>The article examines the protection of performers’ rights in Germany,
introduced by the Act amending copyright regulations of 24 June 1985. The Copyright Act includes Part 2 \u00abNeighboring Rights\u00bb, section 3 of which deals with the protection of performers’ rights, and the law itself is called the \u00abGerman Copyright and Neighboring Rights Act\u00bb. The German Law of 10 September 2003 on the regulation of copyright in the information society completely amends \u00a7\u00a7 73\u221283 of the Copyright and Related Rights Act, which governs the protection of performers’ rights under the WPPT.<\/p>\n\n\n\n

The provisions of \u00a7 73 \u00abPerformer\u00bb are extended to the performance of works of folk art. Paragraphs 74\u221276 are devoted to the protection of moral rights, which were indicated fragmentarily by previous legislation. In the corrected form, moral rights take precedence over rights of use, which confirms the special adherence of German law to them. Whereas under previous legislation so-called \u201cconsent rights\u201d were granted to performers, the updated paragraphs grants the present rights of use: recording, reproduction and distribution, communication to the public, rights of use, the right of the performer to demand payment of remuneration, the sharing of several performances.<\/p>\n\n\n\n

In Germany, the rights of the organizer of performances are protected. If the performance of the performer is organized by a company, then the rights to use belong, in addition to the performer, also to the owner of the company.<\/p>\n\n\n\n

According to \u00a783, the provisions of Section 6 \u00abCopyright Restrictions\u00bb of Part I \u00abCopyright\u00bb of the Copyright and Related Rights Act apply respectively to the restriction of the rights of the performer and the organizer of the performance.<\/p>\n\n\n\n

The protection of performers in Germany is in accordance with the provisions of the Rome Convention, the WPPT, the relevant EU directives.<\/p>\n\n\n\n

With further improvement of the protection of the rights of performers in Ukraine, it would be useful to use the experience of Germany regarding the protection of the rights of the organizer of a performance and determining the term for the protection of rights to performances recorded on a phonogram.<\/p>\n\n\n\n

Keywords: <\/strong>rights of the performer, moral rights, rights to use, communication to the public, the right of the performer to demand payment of remuneration, the validity period of the rights to use<\/p>\n\n\n\n

<\/div>\n\n\n\n

References<\/strong><\/p>\n\n\n\n

Act on Copyright and Related Rights (Copyright Act, as amended up to Act of September 1, 2017.
https:\/\/wipolex.wipo.int\/ru\/legislation\/details\/17676<\/a><\/p>\n\n\n\n

\u0417\u0430\u043a\u043e\u043d\u043e\u0434\u0430\u0432\u0441\u0442\u0432\u043e \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0443 \u0441\u0444\u0435\u0440\u0456 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456 (\u0412\u0435\u0440\u0445\u043e\u0432\u043d\u0430 \u0420\u0430\u0434\u0430 \u0423\u043a\u0440\u0430\u0457\u043d\u0438. \u041a\u043e\u043c\u0456\u0442\u0435\u0442  \u0437 \u043f\u0438\u0442\u0430\u043d\u044c \u043d\u0430\u0443\u043a\u0438 \u0456 \u043e\u0441\u0432\u0456\u0442\u0438) \/ \u0443\u043f\u043e\u0440. \u041c. \u041c. \u0428\u0435\u0432\u0447\u0435\u043d\u043a\u043e, \u0411.\u2008\u0413.\u2008\u0427\u0438\u0436\u0435\u0432\u0441\u044c\u043a\u0438\u0439, \u0413. \u041e. \u0410\u043d\u0434\u0440\u043e\u0449\u0443\u043a, \u0421. \u0412. \u0421\u0435\u043c\u0435\u043d\u044e\u043a. \u041a\u0438\u0457\u0432. \u041f\u0430\u0440\u043b\u0430\u043c\u0435\u043d\u0442\u0441\u044c\u043a\u0435 \u0432\u0438\u0434\u0430\u0432\u043d\u0438\u0446\u0442\u0432\u043e. 2013.<\/p>\n\n\n\n

\u0414\u043e\u0433\u043e\u0432\u043e\u0440 \u0412\u041e\u0418\u0421 \u043f\u043e \u0438\u0441\u043f\u043e\u043b\u043d\u0435\u043d\u0438\u044f\u043c \u0438 \u0444\u043e\u043d\u043e\u0433\u0440\u0430\u043c\u043c\u0430\u043c. \u0421\u043e\u0433\u043b\u0430\u0441\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u0437\u0430\u044f\u0432\u043b\u0435\u043d\u0438\u044f \u0432 \u043e\u0442\u043d\u043e\u0448\u0435\u043d\u0438\u0438 \u0414\u043e\u0433\u043e\u0432\u043e\u0440\u0430 \u0412\u041e\u0418\u0421 \u043f\u043e \u0438\u0441\u043f\u043e\u043b\u043d\u0435\u043d\u0438\u044f\u043c \u0438 \u0444\u043e\u043d\u043e\u0433\u0440\u0430\u043c\u043c\u0430\u043c. \u0412\u041e\u0418\u0421. \u0416\u0435\u043d\u0435\u0432\u0430. 2000.<\/p>\n\n\n\n

\u041a\u0430\u043f\u0456\u0446\u0430 \u042e. \u041c., \u0421\u0442\u0443\u043f\u0430\u043a \u0421. \u041a, \u0416\u0443\u0432\u0430\u043a\u0430 \u041e. \u0412. \u0410\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0435 \u043f\u0440\u0430\u0432\u043e \u0456 \u0441\u0443\u043c\u0456\u0436\u043d\u0456 \u043f\u0440\u0430\u0432\u0430 \u0432 \u0404\u0432\u0440\u043e\u043f\u0456. \u041a\u0438\u0457\u0432. \u041b\u043e\u0433\u043e\u0441. 2012.<\/p>\n\n\n\n

\u0420\u0430\u043c\u0437\u0430\u0443\u044d\u0440 \u0422\u043e\u043c\u0430\u0441. \u0410\u0432\u0442\u043e\u0440\u0441\u043a\u043e\u0435 \u043f\u0440\u0430\u0432\u043e \u0413\u0435\u0440\u043c\u0430\u043d\u0438\u0438 \u043d\u0430 \u043f\u043e\u0440\u043e\u0433\u0435 \u0438\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u043e\u043d\u043d\u043e\u0433\u043e \u0432\u0435\u043a\u0430. \u0411\u044e\u043b\u043b\u0435\u0442\u0435\u043d\u044c \u042e\u041d\u0415\u0421\u041a\u041e. \u0410\u0432\u0442\u043e\u0440\u0441\u043a\u043e\u0435 \u043f\u0440\u0430\u0432\u043e. 2003. \u2116 4.<\/p>\n\n\n\n

\u042e\u043c\u0430\u0448\u0435\u0432 \u042e. \u041c., \u041f\u043e\u0441\u0442\u043d\u0438\u043a\u043e\u0432\u0430 \u0415. \u0412. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0435 \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0430\u0432\u0442\u043e\u0440\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u0430\u0432\u0430 \u0432 \u0413\u0435\u0440\u043c\u0430\u043d\u0438\u0438. \u0416\u0443\u0440\u043d\u0430\u043b \u0437\u0430\u0440\u0443\u0431\u0435\u0436\u043d\u043e\u0433\u043e \u0437\u0430\u043a\u043e\u043d\u043e\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u0430 \u0438 \u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u043f\u0440\u0430\u0432\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u044f. 2017. \u2116 3.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Theory and practice of intellectual property\u2116 4 \/ 2022 ISSN (Print) 2308-0361ISSN (Online) 2519-2744 DOI: https:\/\/doi.org\/10.33731\/42022.265846 Published      2022-10-19 Protection of the rights of performers in accordance withGerman law Volodymyr DrobyazkoUkrainehttps:\/\/orcid.org\/0000-0001-8506-1563 AbstractThe article examines the protection of performers’ rights in Germany,introduced by the Act amending copyright regulations of 24 June 1985. The Copyright Act includes Part […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9000","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/comments?post=9000"}],"version-history":[{"count":3,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9000\/revisions"}],"predecessor-version":[{"id":9003,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/9000\/revisions\/9003"}],"wp:attachment":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/media?parent=9000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}