![\"\"](\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-734x1024.jpg\")
<\/figure>\n\n\n\nTheory and practice of intellectual property
\u2116 4-5 \/ 2023<\/p>\n\n\n\n
ISSN (Print) 2308-0361
ISSN (Online) 2519-2744<\/p>\n\n\n\n
![\"\"](\"https:\/\/test.inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png\"){kind=icon}
PDF (Ukrainian)<\/a><\/div>\n<\/div>\n\n\n\nDOI: https:\/\/doi.org\/10.33731\/4-52023.289806<\/a><\/p>\n\n\n\n Submitted 2023-08-10 <\/p>\n\n\n\n <\/p>\n<\/div>\n\n\n\n Obligation to register Internet channels (YouTube, TikTok, Facebook) and the legal situation of creators on the audiovisual market according to Polish and European Union law<\/strong><\/p>\n\n\n\n Adrian Niew\u0119g\u0142owski<\/strong> Abstract Keywords: <\/strong>audiovisual media services, online authors, copyright, European Union law, works, related rights<\/p>\n\n\n\n References<\/strong><\/p>\n\n\n\n Klafkowska-Wa\u015bniowska, K. Swobodny przep\u0142yw audiowizualnych us\u0142ug medialnych na \u017c\u0105danie w Unii Europejskiej, Wolters Kluwer, Warszawa 2016.<\/p>\n\n\n\n Cha\u0142ubi\u0144ska-Jentkiewicz, K. Prawna ochrona tre\u015bci cyfrowych, Wolters Kluwer, Warszawa 2021.<\/p>\n\n\n\n Cha\u0142ubi\u0144ska-Jentkiewicz, K. Audiowizualne us\u0142ugi medialne. Reglamentacja w warunkach konwersji cyfrowej, Wolters Kluwer, Warszawa 2013.<\/p>\n\n\n\n Dziennik Urz\u0119dowy Unii Europejskiej Nr L 95 z 15 kwietnia 2010 r.<\/p>\n\n\n\n Dziennik Urz\u0119dowy Nr L 303, z 28 listopada 2018 r.<\/p>\n\n\n\n Nowe obowi\u0105zki dla youtuber\u00f3w z Polski. RPO ma w\u0105tpliwo\u015bci, \u00abRzeczpospolita\u00bb z dnia 8 marca 2022 r. (sekcja: \u00abPrawo dla ciebie\u00bb).<\/p>\n\n\n\n Motyw 4 i 5 preambu\u0142y do dyrektywy 2018\/1808.<\/p>\n\n\n\n Motyw 5 preambu\u0142y do dyrektywy 2018\/1808.<\/p>\n\n\n\n Traktat o funkcjonowaniu Unii Europejskiej. Dziennik Urz\u0119dowy Unii Europejskiej nr C 326 z 26 pa\u017adziernika 2012 r.<\/p>\n\n\n\n Karta Praw Podstawowych Unii Europejskiej. Dz. Urz. UE z 7 czerwca 2016 r.<\/p>\n\n\n\n Ustawa z 29 grudnia 1992 r. o radiofonii i telewizji. Dziennik Urz\u0119dowy Rzeczypospolitej Polskiej z 2022 r.<\/p>\n\n\n\n Cha\u0142ubi\u0144ska-Jentkiewicz, K. w: A. Niew\u0119g\u0142owski (red.), Ustawa o radiofonii i telewizji. Komentarz, Wolters Kluwer, Warszawa 2021.<\/p>\n\n\n\n Ustawa z 11 sierpnia 2021 r. o zmianie ustawy o radiofonii i telewizji oraz ustawy o kinematografii. Dziennik Urz\u0119dowy Rzeczypospolitej Polskiej z 2021 r.<\/p>\n\n\n\n Ustawa z 6 marca 2018 r. Prawo przedsi\u0119biorc\u00f3w. Dziennik Urz\u0119dowy Rzeczypospolitej Polskiej z 2023 r.<\/p>\n\n\n\n Piszcz, A. w: G. Kozie\u0142 (red.), Prawo przedsi\u0119biorc\u00f3w. Przepisy wprowadzaj\u0105ce do Konstytucji Biznesu. Komentarz, C. H. Beck, Warszawa 2019.
Accepted 2023-08-17
Published 2023-10-25<\/p>\n\n\n\n![\"\"](\"https:\/\/inprojournal.org\/wp-content\/uploads\/2025\/11\/CC-2.png\")
<\/figure>\n\n\n\n
Doctor of Legal Sciences\/Dr. Habil. (Law), Associate Professor of European Union Law Department at Maria Curie-Sk\u0142odowska University
Poland
https:\/\/orcid.org\/0000-0002-0948-9813<\/a><\/p>\n\n\n\n
<\/strong>European Union law has introduced a duty for creators engaged in the business of providing various types of on-demand audiovisual content to register. In practice, this duty applies to individuals running audiovisual channels on platforms such as YouTube and similar platforms. The people concerned are very different, providing content of an educational nature (platforms for learning foreign languages, e.g., English, Spanish). The registration duty is also to be extended to those who also provide typically entertaining channels on digital platforms (e.g., reviews of films, books, computer games, comics). These individuals include creators, i.e., entities that provide certain intellectual content to the Internet protected, for example, by copyright and related rights. Relevant registers are to be kept in member states by public administration bodies, such as the National Broadcasting Council in Poland. The purpose of the above duty is increased control over the safety of content provided to the Internet (e.g., from the point of view of whether it is suitable for children or whether it does not contain hate speech). In addition, the purpose of the said duty is also to control whether the owners of channels on YouTube, Tik-Tok, etc., properly settle the income they earn through published content. The Polish legislator wants to propose new legal solutions in this respect. This is because the European Union legislator has introduced certain requirements, but has not determined how they would be implemented. The presentation of the experience of the Polish legislator may be interesting for the Ukrainian viewer, especially in view of Ukraine’s aspirations to become a member of the European Union. If Ukraine joins the European Union, it will be obliged to implement relevant solutions in this respect. In this article, I have tried to show that the issue of registration of persons providing audiovisual media services is a new problem in the European Union, raising considerable public concern. The obligation to register audiovisual media service providers should not be too broad and cover providers that have a small audience or publish new content irregularly. Therefore, it is important to introduce clear criteria for which audiovisual media service providers should be registered.<\/p>\n\n\n\n
https:\/\/raportstrategiczny.iab.org.pl\/raport\/uzytkownicy-internetu-w-polsce\/<\/a><\/p>\n\n\n\n