{"id":8362,"date":"2026-01-02T21:22:12","date_gmt":"2026-01-02T19:22:12","guid":{"rendered":"https:\/\/inprojournal.org\/?page_id=8362"},"modified":"2026-02-04T10:24:09","modified_gmt":"2026-02-04T08:24:09","slug":"2023-6-12","status":"publish","type":"page","link":"https:\/\/inprojournal.org\/en\/2023-6-12\/","title":{"rendered":"2023-6-12"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1024\" src=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-734x1024.jpg\" alt=\"\" class=\"wp-image-3609\" style=\"width:217px;height:302px\" srcset=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-734x1024.jpg 734w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-215x300.jpg 215w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-768x1071.jpg 768w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-1101x1536.jpg 1101w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-1468x2048.jpg 1468w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-scaled.jpg 1835w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><\/figure>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">Theory and practice of intellectual property<br>\u2116 6 \/ 2023<\/p>\n\n\n\n<p class=\"has-small-font-size\">ISSN (Print) 2308-0361<br>ISSN (Online) 2519-2744<\/p>\n\n\n\n<div class=\"wp-block-buttons has-custom-font-size is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-fdcfc74e wp-block-buttons-is-layout-flex\" style=\"font-size:10px\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-black-color has-text-color has-custom-font-size wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1hr6mBStJOL0Cj-rgF6_c8ejQA-GQQw7g\/view\" style=\"border-radius:10px;font-size:10px\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"14\" height=\"14\" class=\"wp-image-362\" style=\"width: 14px;\" src=\"https:\/\/test.inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png\" alt=\"\" srcset=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png 512w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-300x300.png 300w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-150x150.png 150w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-450x450.png 450w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-106x106.png 106w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-80x80.png 80w\" sizes=\"auto, (max-width: 14px) 100vw, 14px\" \/> PDF (Ukrainian)<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">DOI: <a href=\"https:\/\/doi.org\/10.33731\/62023.293369\">https:\/\/doi.org\/10.33731\/62023.293369<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\">Submitted&nbsp; &nbsp;&nbsp; 2023-10-22<br>Accepted &nbsp;&nbsp; &nbsp; 2023-11-30<br>Published &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2023-12-17<\/p>\n\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2025\/11\/CC-2.png\" alt=\"\" class=\"wp-image-6960\" style=\"width:131px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-medium-font-size\"><strong>Museums as platforms for the development of creative industries<\/strong><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Nadiia Fedorova<\/strong><br>Ph.D (Law), Research of the sector of the Disposal of copyright and related rights of the Copyright and Related Rights Department of the Intellectual Property Scientific Research Institute of the National Academy of Legal Sciences of Ukraine<br>Ukraine<br><a href=\"https:\/\/orcid.org\/0000-0001-5490-1259\">https:\/\/orcid.org\/0000-0001-5490-1259<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Abstract<br><\/strong>The article examines the museum business in the context of museums as platforms for the development of creative industries.<\/p>\n\n\n\n<p>The author emphasizes that museums, as a platform for the development of creative industries, are successfully used in other countries. Numerous examples of such use are given, such as the following museums: The Prague Museum of Warsaw, \u00abThe Computer-<br>spielemuseum\u00bb in Berlin, the interactive city museum \u00abMuseum642\u00bb in Pesnek (Germany), the Green Museum \u00abDet Gronne museum\u00bb in Auning (Denmark), and \u00abThe MAS\u00bb museum in Antwerp.<\/p>\n\n\n\n<p>It is argued that museums that have developed channels of communication with audiences can also become online platforms for the development of creative industries through various online resources, creating conditions for communication, expertise, and training. Online museum communities have the same potential. It is the development of online platforms that can contribute to a new understanding of the role and possibilities of culture.<\/p>\n\n\n\n<p>It is emphasized that museums can also be considered platforms for advocacy, as well as the basis for the formation of \u00abprofessional associations of representatives of the creative industries\u00bb . As an example of this idea, the author cites the activities of the organi-<br>zation \u00abSWICH \u2014 Sharing a World of Inclusion, Creativity, and Heritage\u00bb, coordinated by the Weltmuseum Wien, which brings together ten museums. They interact through conferences, workshops, residencies, etc.<\/p>\n\n\n\n<p>It is proposed to supplement the Classifier of Professions with the following positions with the prefix \u00abmuseum\u00bb: marketer, sociologist, management specialist, educator, and curator. It is also necessary for the successful realization of the work of museums as platforms for the development of creative industries to interest people, partners, and stakeholders, which can only be done by disseminating information, i.e., involving various providers and Internet platforms.<\/p>\n\n\n\n<p>It has been determined that the successful operation of museums as platforms for the development of creative industries requires effective cooperation with government institutions, the public, and creators. This can ensure the successful strategic management, development, and implementation of cultural policy to promote and disseminate forms of cultural expression.<\/p>\n\n\n\n<p><strong>Keywords: <\/strong>museums, creative industries, copyright, development platform, creative cluster, Classifier of professions<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>References<\/strong><\/p>\n\n\n\n<p>\u041f\u0435\u0442\u0440\u043e\u0432\u0430 \u0406. \u0412. \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0456 \u0442\u0430 \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0456 \u0456\u043d\u0434\u0443\u0441\u0442\u0440\u0456\u0457: \u0432\u0456\u0434 \u043a\u043e\u043d\u0446\u0435\u043f\u0446\u0456\u0439 \u0434\u043e \u0456\u043d\u0441\u0442\u0440\u0443\u043c\u0435\u043d\u0442\u0456\u0432. \u0424\u0435\u043d\u043e\u043c\u0435\u043d \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0438 \u043f\u043e\u0441\u0442\u0433\u043b\u043e\u0431\u0430\u043b\u0456\u0437\u043c\u0443 : \u043c\u0430\u0442\u0435\u0440\u0456\u0430\u043b\u0438 \u0406\u0406 \u041c\u0456\u0436\u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0457 \u043d\u0430\u0443\u043a\u043e\u0432\u043e\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u043d\u043e\u0457 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0456\u0457 (\u043c. \u041c\u0430\u0440\u0456\u0443\u043f\u043e\u043b\u044c, 26.11.2021 \u0440. ): \u0435\u043b. \u0437\u0431\u0456\u0440\u043d\u0438\u043a \/ \u041c\u0414\u0423, \u041c\u0430\u0440\u0456\u0443\u043f\u043e\u043b\u044c, 2021. \u0421. 5\u20139.<\/p>\n\n\n\n<p>\u041f\u0440\u043e \u043c\u0443\u0437\u0435\u0457 \u0442\u0430 \u043c\u0443\u0437\u0435\u0439\u043d\u0443 \u0441\u043f\u0440\u0430\u0432\u0443 : \u0417\u0430\u043a\u043e\u043d \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0432\u0456\u0434 07.09.2023 \u0440. \u2116 249\/95-\u0412\u0420.<br><a href=\"https:\/\/zakon.rada.gov.ua\/laws\/show\/249\/95-%D0%B2%D1%80#Text\">https:\/\/zakon.rada.gov.ua\/laws\/show\/249\/95-%D0%B2%D1%80#Text<\/a><\/p>\n\n\n\n<p>\u041f\u0440\u043e \u0437\u0430\u0442\u0432\u0435\u0440\u0434\u0436\u0435\u043d\u043d\u044f \u0432\u0438\u0434\u0456\u0432 \u0435\u043a\u043e\u043d\u043e\u043c\u0456\u0447\u043d\u043e\u0457 \u0434\u0456\u044f\u043b\u044c\u043d\u043e\u0441\u0442\u0456, \u044f\u043a\u0456 \u043d\u0430\u043b\u0435\u0436\u0430\u0442\u044c \u0434\u043e \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0438\u0445 \u0456\u043d\u0434\u0443\u0441\u0442\u0440\u0456\u0439 : \u0440\u043e\u0437\u043f\u043e\u0440\u044f\u0434\u0436\u0435\u043d\u043d\u044f \u041a\u0430\u0431\u0456\u043d\u0435\u0442\u0443 \u041c\u0456\u043d\u0456\u0441\u0442\u0440\u0456\u0432 \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0432\u0456\u0434 24 \u043a\u0432\u0456\u0442\u043d\u044f 2019 \u0440\u043e\u043a\u0443 \u2116 265-\u0440.<br><a href=\"https:\/\/zakon.rada.gov.ua\/laws\/show\/265-2019-%D1%80#Text\">https:\/\/zakon.rada.gov.ua\/laws\/show\/265-2019-%D1%80#Text<\/a><\/p>\n\n\n\n<p>United Kingdom: Department for Digital, Culture, Media and Sport (DCMS Sector Economic Estimates Methodology of September 15, 2019).<br><a href=\"https:\/\/assets.publishing.service.gov.uk\/government\/uploads\/system\/uploads\/attachment_data\/file\/829114\/DCMS_Sectors_Economic_Estimates_-_Methodology.pdf\">https:\/\/assets.publishing.service.gov.uk\/government\/uploads\/system\/uploads\/attachment_data\/file\/829114\/DCMS_Sectors_Economic_Estimates_-_Methodology.pdf<\/a><\/p>\n\n\n\n<p>Deutschland: S\u00f6ndermann Metal. Gesamtwirtschaftliche Perspektiven der Kultur- und Kreativwirtschaft in Deutschland (Bundesministerium f\u00fcr Wirtschaft und Technologie, Berlin vom 16 Oktober 2019).<br><a href=\"https:\/\/www.kultur-kreativwirtschaft.de\/KUK\/Redaktion\/DE\/Publikationen\/2009\/gesamtwirtschaftliche-perspektiven-kuk.pdf?__blob=publicationFile&#038;v=7\">https:\/\/www.kultur-kreativwirtschaft.de\/KUK\/Redaktion\/DE\/Publikationen\/2009\/gesamtwirtschaftliche-perspektiven-kuk.pdf?__blob=publicationFile&#038;v=7<\/a><\/p>\n\n\n\n<p>Poland: Statistics Poland. (Cultural and creative industriess 2021-2022).<br><a href=\"https:\/\/stat.gov.pl\/en\/topics\/culture-tourism-sport\/culture\/cultural-and-creative-industries-2014-2016,12,1.html\">https:\/\/stat.gov.pl\/en\/topics\/culture-tourism-sport\/culture\/cultural-and-creative-industries-2014-2016,12,1.html<\/a><\/p>\n\n\n\n<p>Canada: Statistics Canada. (North American Industry Classification System (NAICS 2021) national industry by Canadian Framework for Culture Statistics (CFCS) domain and sub-domain of November 17, 2021).<br><a href=\"https:\/\/www150.statcan.gc.ca\/&nbsp;n1\/pub\/87-542-x\/2011002\/tbl\/tbl1-1-eng.htm\">https:\/\/www150.statcan.gc.ca\/n1\/pub\/87-542-x\/2011002\/tbl\/tbl1-1-eng.htm<\/a><\/p>\n\n\n\n<p>\u0421\u043b\u043e\u0432\u043d\u0438\u043a \u0443\u043a\u0440\u0430\u0457\u043d\u0441\u044c\u043a\u043e\u0457 \u043c\u043e\u0432\u0438. \u0412 20 \u0442. \u0422. 8. \/ \u0412. \u041c. \u0420\u0443\u0441\u0430\u043d\u0456\u0432\u0441\u044c\u043a\u0438\u0439 \u0442\u0430 \u0456\u043d\u0448\u0456. \u041a\u0438\u0457\u0432 : \u041d\u0430\u0443\u043a\u043e\u0432\u0430 \u0434\u0443\u043c\u043a\u0430, 2010. 911 \u0441.<\/p>\n\n\n\n<p>\u0421\u0435\u043c\u0435\u043d\u0456\u043a \u041e. \u041f\u2019\u044f\u0442\u044c \u0440\u043e\u043a\u0456\u0432 \u0442\u043e\u043c\u0443 \u0432\u043f\u0435\u0440\u0435\u0434: \u044f\u043a \u0440\u043e\u0437\u0432\u0438\u0432\u0430\u043b\u0438\u0441\u044c \u0445\u0430\u0431\u0438 \u0442\u0430 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0456 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u0438. \u041e\u0444\u0456\u0446\u0456\u0439\u043d\u0438\u0439 \u0441\u0430\u0439\u0442 \u00ab\u041f\u0440\u0438\u0432\u0456\u0442\/media\u00bb \u0432\u0456\u0434 10.10.2022.<br><a href=\"https:\/\/pryvit.media\/&nbsp;article\/cultural-hubs\/\">https:\/\/pryvit.media\/article\/cultural-hubs\/<\/a><\/p>\n\n\n\n<p>Evans, G. Creative Cities, Creative Spaces and Urban Policy. Urban Studies. 2009. \u2116 46 (5\u20136). P. 7\u201315.<\/p>\n\n\n\n<p>\u041a\u0443\u0446\u0430\u0454\u0432\u0430 \u0413. \u041e. \u041f\u0440\u043e \u043c\u0443\u0437\u0435\u0457 \u044f\u043a \u043f\u043b\u0430\u0442\u0444\u043e\u0440\u043c\u0438 \u0440\u043e\u0437\u0432\u0438\u0442\u043a\u0443 \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0438\u0445 \u0456\u043d\u0434\u0443\u0441\u0442\u0440\u0456\u0439. \u041c\u043e\u043b\u043e\u0434\u0438\u0439 \u0432\u0447\u0435\u043d\u0438\u0439. \u041f\u0440\u0430\u043a\u0442\u0438\u043a\u0430. 2019. \u2116 3(2). \u0421. 112\u2212120.<\/p>\n\n\n\n<p>\u0410\u043d\u0430\u043b\u0456\u0442\u0438\u0447\u043d\u0438\u0439 \u043e\u0433\u043b\u044f\u0434 \u0456\u043d\u0434\u0438\u043a\u0430\u0442\u043e\u0440\u0456\u0432 \u0432\u043f\u043b\u0438\u0432\u0443 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0438 \u043d\u0430 \u0440\u043e\u0437\u0432\u0438\u0442\u043e\u043a \u2014 \u042e\u041d\u0415\u0421\u041a\u041e: \u043a\u043e\u0440\u043e\u0442\u043a\u0438\u0439 \u0430\u043d\u0430\u043b\u0456\u0442\u0438\u0447\u043d\u0438\u0439 \u043e\u0433\u043b\u044f\u0434 \u0449\u043e\u0434\u043e \u0423\u043a\u0440\u0430\u0457\u043d\u0438, \u0432\u0456\u0434 31 \u0431\u0435\u0440\u0435\u0437\u043d\u044f 2017 \u0440\u043e\u043a\u0443.<br><a href=\"https:\/\/www.culturepartnership.eu\/upload\/editor\/2017\/Policy%20Briefs\/Abr-lv_C&#038;C_photo_UA.pdf\">https:\/\/www.culturepartnership.eu\/upload\/editor\/2017\/Policy%20Briefs\/Abr-lv_C&#038;C_photo_UA.pdf<\/a><\/p>\n\n\n\n<p>Mizikowska A. Dzie\u0144 otwarty w nowej Pracowni Rzemie\u015blniczej, z dnia 16 listopada 2019 r.<br><a href=\"https:\/\/muzeumwarszawy.pl\/wp-content\/uploads\/2021\/03\/SMW_25.02.2021_FINAL.pdf\">https:\/\/muzeumwarszawy.pl\/wp-content\/uploads\/2021\/03\/SMW_25.02.2021_FINAL.pdf<\/a><\/p>\n\n\n\n<p>Computerspielemuseum.<br><a href=\"https:\/\/www.computerspielemuseum.de\/&nbsp;index.php?lg=de&#038;main=Ausstellungen&#038;site=03:00:00\">https:\/\/www.computerspielemuseum.de\/index.php?lg=de&#038;main=Ausstellungen&#038;site=03:00:00<\/a><\/p>\n\n\n\n<p>Museum642.<br><a href=\"https:\/\/museum642.com\/\">https:\/\/museum642.com\/<\/a><\/p>\n\n\n\n<p>Det Gronne museum.<br><a href=\"https:\/\/detgroennemuseum.dk\/?utm_source=jfm&#038;utm_medium=gmb&#038;utm_campaign=GBP&#038;utm_term=websiteknap\">https:\/\/detgroennemuseum.dk\/?utm_source=jfm&#038;utm_medium=gmb&#038;utm_campaign=GBP&#038;utm_term=websiteknap<\/a><\/p>\n\n\n\n<p>The MAS.<br><a href=\"https:\/\/mas.be\/nl\">https:\/\/mas.be\/nl <\/a><\/p>\n\n\n\n<p>\u041c\u0438\u0441\u0442\u0435\u0446\u044c\u043a\u0438\u0439 \u0430\u0440\u0441\u0435\u043d\u0430\u043b.<br><a href=\"https:\/\/artarsenal.in.ua\/\">https:\/\/artarsenal.in.ua\/<\/a><\/p>\n\n\n\n<p>\u041d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u0438\u0439 \u0456\u0441\u0442\u043e\u0440\u0438\u043a\u043e-\u0430\u0440\u0445\u0456\u0442\u0435\u043a\u0442\u0443\u0440\u043d\u0438\u0439 \u043c\u0443\u0437\u0435\u0439 \u00ab\u041a\u0438\u0457\u0432\u0441\u044c\u043a\u0430 \u0444\u043e\u0440\u0442\u0435\u0446\u044f\u00bb.<br><a href=\"https:\/\/www.kyiv-fortress.org.ua\/performances\">https:\/\/www.kyiv-fortress.org.ua\/performances<\/a><\/p>\n\n\n\n<p>\u0424\u0430\u0440\u0456\u043d\u044c\u044f \u041a. \u0420\u043e\u0437\u0432\u0438\u0442\u043e\u043a \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0438\u0445 \u0442\u0430 \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0438\u0445 \u0456\u043d\u0434\u0443\u0441\u0442\u0440\u0456\u0439 \u0432 \u0423\u043a\u0440\u0430\u0457\u043d\u0456. \u0414\u043e\u0441\u043b\u0456\u0434\u0436\u0435\u043d\u043d\u044f \u0437\u0430 \u043f\u0456\u0434\u0442\u0440\u0438\u043c\u043a\u0438 \u041f\u0440\u043e\u0433\u0440\u0430\u043c\u0438 \u0404\u0421 \u0442\u0430 \u0421\u0445\u0456\u0434\u043d\u043e\u0433\u043e \u043f\u0430\u0440\u0442\u043d\u0435\u0440\u0441\u0442\u0432\u0430 \u00ab\u041a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u0456 \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0456\u0441\u0442\u044c\u00bb. 2017. \u0421. 52.<br><a href=\"https:\/\/www.culturepartnership.eu\/upload\/editor\/&nbsp;2017\/Research\/Creative%20Industries%20 Report%20for%20Ukraine_UA.pdf\">https:\/\/www.culturepartnership.eu\/upload\/editor\/2017\/Research\/Creative%20Industries%20 Report%20for%20Ukraine_UA.pdf<\/a><\/p>\n\n\n\n<p>Ukrainian Institute London.<br>\u041f\u043b\u0435\u0446\u0430\u043d \u0425. \u0422\u0435\u043d\u0434\u0435\u043d\u0446\u0456\u0457 \u0440\u043e\u0437\u0432\u0438\u0442\u043a\u0443 \u0441\u0438\u043d\u0435\u0440\u0433\u0435\u0442\u0438\u0447\u043d\u043e\u0457 \u0432\u0437\u0430\u0454\u043c\u043e\u0434\u0456\u0457 \u0434\u0456\u044f\u043b\u044c\u043d\u043e\u0441\u0442\u0456 \u0434\u0435\u0440\u0436\u0430\u0432\u043d\u0438\u0445 \u0456\u043d\u0441\u0442\u0438\u0442\u0443\u0446\u0456\u0439 \u0442\u0430 \u0441\u0435\u043a\u0442\u043e\u0440\u0456\u0432 \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0438\u0445 \u0456\u043d\u0434\u0443\u0441\u0442\u0440\u0456\u0439 : \u043c\u0430\u0442\u0435\u0440\u0456\u0430\u043b\u0438 \u041c\u0456\u0436\u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0457 \u043d\u0430\u0443\u043a\u043e\u0432\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u043d\u043e\u0457 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0456\u0457 \u0443 \u043f\u043e\u0448\u0443\u043a\u0443 \u043d\u043e\u0432\u0438\u0445 \u0441\u0435\u043d\u0441\u0456\u0432 \u043f\u043e\u043b\u0456\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u0433\u043e \u0441\u0432\u0456\u0442\u0443. \u041f\u043e\u0432\u043e\u0454\u043d\u043d\u0438\u0439 \u0434\u0456\u0430\u043b\u043e\u0433 \u043a\u0443\u043b\u044c\u0442\u0443\u0440 (\u043c. \u041a\u0438\u0457\u0432, 02.02.2023 \u0440.) : \u0435\u043b. \u0437\u0431\u0456\u0440\u043d\u0438\u043a\/\u041d\u0410\u041a\u041a\u041a\u0456\u041c. \u041a\u0438\u0457\u0432, 2023. \u0421. 54\u221259.<\/p>\n\n\n\n<p>SWICH \u2014 Sharing a World of Inclusion, Creativity and Heritage.<br><a href=\"https:\/\/www.swich-project.eu\/\">https:\/\/www.swich-project.eu\/<\/a><\/p>\n\n\n\n<p>Weltmuseum Wien.<br><a href=\"https:\/\/www.weltmuseumwien.at\/\">https:\/\/www.weltmuseumwien.at\/<\/a><\/p>\n\n\n\n<p>Edinburgh International Culture Summit.<br><a href=\"https:\/\/www.culturesummit.com\/\">https:\/\/www.culturesummit.com\/<\/a><\/p>\n\n\n\n<p>\u041f\u043b\u0430\u043d \u0432\u0456\u0434\u043d\u043e\u0432\u043b\u0435\u043d\u043d\u044f \u0423\u043a\u0440\u0430\u0457\u043d\u0438. \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u0442\u0430 \u0456\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u0456\u0439\u043d\u0430 \u043f\u043e\u043b\u0456\u0442\u0438\u043a\u0430.<br><a href=\"https:\/\/recovery.gov.ua\/\">https:\/\/recovery.gov.ua\/<\/a><\/p>\n\n\n\n<p>\u0411\u043e\u0439\u043a\u043e-\u0413\u0430\u0433\u0430\u0440\u0456\u043d \u0410. \u041c\u0443\u0437\u0435\u0439, \u0449\u043e \u0437\u0430\u0440\u043e\u0431\u043b\u044f\u0454. \u041c\u0443\u0437\u0435\u0439\u043d\u0438\u0439 \u043f\u0440\u043e\u0441\u0442\u0456\u0440. 2020. \u211614. \u0421. 30\u221236.<\/p>\n\n\n\n<p>\u041a\u043b\u0430\u0441\u0438\u0444\u0456\u043a\u0430\u0442\u043e\u0440 \u043f\u0440\u043e\u0444\u0435\u0441\u0456\u0439.<br><a href=\"https:\/\/www.me.gov.ua\/Profession\/List?lang=uk-UA&#038;id=d4162ef8-2771-4ac5-99ef-1d4b6f5336af&#038;tag=KlasifikatorProfesii-Poshuk\">https:\/\/www.me.gov.ua\/Profession\/List?lang=uk-UA&#038;id=d4162ef8-2771-4ac5-99ef-1d4b6f5336af&#038;tag=KlasifikatorProfesii-Poshuk<\/a><\/p>\n\n\n\n<p>\u0411\u0430\u0431\u0443\u0448\u043a\u043e \u0421. \u0412. \u0415\u0434\u0443\u043a\u0430\u0442\u043e\u0440 \u0434\u043e\u0440\u043e\u0441\u043b\u0438\u0445 \u0447\u0438 \u0443\u0447\u0438\u0442\u0435\u043b\u044c \u0434\u043e\u0440\u043e\u0441\u043b\u0438\u0445? \u041e\u0441\u0432\u0456\u0442\u0430 \u0434\u043e\u0440\u043e\u0441\u043b\u0438\u0445: \u0442\u0435\u043e\u0440\u0456\u044f, \u0434\u043e\u0441\u0432\u0456\u0434, \u043f\u0435\u0440\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u0438. 2016. \u2116 1. \u0421. 17\u221225.<\/p>\n\n\n\n<p>\u041c\u0456\u043b\u0430\u0448\u043e\u0432\u0441\u044c\u043a\u0430 \u041e., \u0425\u0430\u0443\u0441\u0442\u043e\u0432\u0430 \u041a. \u041e\u0441\u043e\u0431\u043b\u0438\u0432\u043e\u0441\u0442\u0456 \u043c\u0435\u043d\u0435\u0434\u0436\u043c\u0435\u043d\u0442\u0443 \u0432 \u043c\u0443\u0437\u0435\u0439\u043d\u0456\u0439 \u0441\u043f\u0440\u0430\u0432\u0456. \u0415\u043a\u043e\u043d\u043e\u043c\u0456\u0447\u043d\u0438\u0439 \u043f\u0440\u043e\u0441\u0442\u0456\u0440. 2022. \u2116 180. \u0421. 144\u2212147.<\/p>\n\n\n\n<p>\u0413\u0435\u0440\u043c\u0430\u043d \u041b., \u041b\u0430\u043d\u044c\u043a\u043e \u041c. \u0406\u0441\u0442\u043e\u0440\u0456\u044f \u043a\u0443\u0440\u0430\u0442\u043e\u0440\u0441\u0442\u0432\u0430 \u0432 \u0423\u043a\u0440\u0430\u0457\u043d\u0456. \u041d\u0435\u0444\u043e\u0440\u043c\u0430\u043b\u044c\u043d\u0456 \u043c\u0438\u0441\u0442\u0435\u0446\u044c\u043a\u0456 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u0438 \u0417\u0430\u0445\u0456\u0434\u043d\u043e\u0457 \u0423\u043a\u0440\u0430\u0457\u043d\u0438. \u041a\u0438\u0457\u0432 : NIICE Publishing, 2015. 133 c.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Theory and practice of intellectual property\u2116 6 \/ 2023 ISSN (Print) 2308-0361ISSN (Online) 2519-2744 DOI: https:\/\/doi.org\/10.33731\/62023.293369 Submitted&nbsp; &nbsp;&nbsp; 2023-10-22Accepted &nbsp;&nbsp; &nbsp; 2023-11-30Published &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2023-12-17 Museums as platforms for the development of creative industries Nadiia FedorovaPh.D (Law), Research of the sector of the Disposal of copyright and related rights of the Copyright and Related Rights Department of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8362","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/8362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/comments?post=8362"}],"version-history":[{"count":6,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/8362\/revisions"}],"predecessor-version":[{"id":9861,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/8362\/revisions\/9861"}],"wp:attachment":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/media?parent=8362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}