{"id":7995,"date":"2025-12-26T19:18:17","date_gmt":"2025-12-26T17:18:17","guid":{"rendered":"https:\/\/inprojournal.org\/?page_id=7995"},"modified":"2026-02-04T10:51:13","modified_gmt":"2026-02-04T08:51:13","slug":"2024-3-9","status":"publish","type":"page","link":"https:\/\/inprojournal.org\/en\/2024-3-9\/","title":{"rendered":"2024-3-9"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1024\" src=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-734x1024.jpg\" alt=\"\" class=\"wp-image-3609\" style=\"width:217px;height:302px\" srcset=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-734x1024.jpg 734w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-215x300.jpg 215w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-768x1071.jpg 768w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-1101x1536.jpg 1101w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-1468x2048.jpg 1468w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-scaled.jpg 1835w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><\/figure>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">Theory and practice of intellectual property<br>\u2116 3 \/ 2024<\/p>\n\n\n\n<p class=\"has-small-font-size\">ISSN (Print) 2308-0361<br>ISSN (Online) 2519-2744<\/p>\n\n\n\n<div class=\"wp-block-buttons has-custom-font-size is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-fdcfc74e wp-block-buttons-is-layout-flex\" style=\"font-size:10px\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-black-color has-text-color has-custom-font-size wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1tDqOTdkDwOsA50HgfJvsNFPr7skgBERY\/view\" style=\"border-radius:10px;font-size:10px\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"14\" height=\"14\" class=\"wp-image-362\" style=\"width: 14px;\" src=\"https:\/\/test.inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png\" alt=\"\" srcset=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png 512w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-300x300.png 300w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-150x150.png 150w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-450x450.png 450w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-106x106.png 106w, https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153-80x80.png 80w\" sizes=\"auto, (max-width: 14px) 100vw, 14px\" \/> PDF (Ukrainian)<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\">DOI: <a href=\"https:\/\/doi.org\/10.33731\/32024.311579\">https:\/\/doi.org\/10.33731\/32024.311579<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\">Submitted&nbsp; &nbsp;&nbsp; 2024-08-04<br>Accepted &nbsp;&nbsp; &nbsp; 2024-08-20<br>Published &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2024-09-18<\/p>\n\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/inprojournal.org\/wp-content\/uploads\/2025\/11\/CC-2.png\" alt=\"\" class=\"wp-image-6960\" style=\"width:131px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-medium-font-size\"><strong>Plagiarism and piracy as types of copyright infringement in the creative industries<\/strong><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Nadi\u0443a Fedorova<\/strong><br>PhD in Law, acting Academic Secretary at the Intellectual Property Scientific Research Institute of the National Academy of Legal Sciences of Ukraine<br>Ukraine<br><a href=\"https:\/\/orcid.org\/0000-0001-5490-1259\">https:\/\/orcid.org\/0000-0001-5490-1259<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Abstract<br><\/strong>The article examines the concept of violations in the creative industries. It analyses the types of infringements that are most common in Ukraine. The main focus is on the analysis of the concepts of plagiarism and piracy in Ukrainian legislation and some EU countries.<\/p>\n\n\n\n<p>Accordingly, the Laws of Poland and Germany on Copyright and Related Rights do not contain a definition of plagiarism. Since there is no legal definition of plagiarism, and the phenomenon of plagiarism is quite widespread, the only option for legislative regulation is judicial practice. In Germany, for example, the concept of plagiarism as an infringement of copyright applies not only to literary works but also to works of other art forms. Therefore, by analogy, it is concluded that plagiarism as an infringement of copyright and\/or related rights in the creative industries is committed not only in the literary or scientific field, but is also possible in other art forms, in particular: music, art, choreography, jewellery and costume jewellery, architecture, and advertising.<\/p>\n\n\n\n<p>The situation is similar with regard to the definition of piracy. In Poland, piracy is used mainly as a colloquial term. However, it is one of the most common crimes committed on the Internet. In the German scientific literature, there are different interpretations of the concept of piracy. Under the German Copyright and Related Rights Act, an author may prohibit (revoke) the unauthorised posting of his or her work on the Internet. The Swiss Federal Law on Copyright and Related Rights provides for a similar provision.<\/p>\n\n\n\n<p>However, the purpose of piracy differs from the purpose of plagiarism. In the case of piracy, the infringer seeks to gain material benefit and does not intend to create any identification between him or her and the unlawfully used object (pirated film, computer program or database, etc.). In the case of plagiarism, the opposite is true. The infringer wants consumers to identify it with the misused intellectual property.<\/p>\n\n\n\n<p>Therefore, it is concluded that there is no single, comprehensive, and generally accepted definition of plagiarism and piracy. The statutory definition of plagiarism and piracy enshrined in part 2 of Article 53 of the Law differs significantly from the European approaches considered.<\/p>\n\n\n\n<p><strong>Keywords: <\/strong>creative industries, infringement, plagiarism, piracy<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>References<\/strong><\/p>\n\n\n\n<p>\u041f\u0440\u043e \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0435 \u043f\u0440\u0430\u0432\u043e \u0456 \u0441\u0443\u043c\u0456\u0436\u043d\u0456 \u043f\u0440\u0430\u0432\u0430 : \u0417\u0430\u043a\u043e\u043d \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0432\u0456\u0434 01 \u0433\u0440\u0443\u0434\u043d\u044f 2022 \u0440\u043e\u043a\u0443 \u2116 2811-I\u0425. \u041e\u0444\u0456\u0446\u0456\u0439\u043d\u0438\u0439 \u0432\u0456\u0441\u043d\u0438\u043a \u0423\u043a\u0440\u0430\u0457\u043d\u0438. 2023. \u2116 3. \u0421\u0442. 53.<\/p>\n\n\n\n<p>\u041f\u0435\u0442\u0440\u0435\u043d\u043a\u043e \u0412. \u0421. \u041f\u043e\u043d\u044f\u0442\u0442\u044f \u0442\u0430 \u0432\u0438\u0434\u0438 \u043f\u043b\u0430\u0433i\u0430\u0442\u0443. \u0427\u0430\u0441\u043e\u043f\u0438\u0441 \u0446\u0438\u0432\u0456\u043b\u0456\u0441\u0442\u0438\u043a\u0438. 2016. \u2116 3. \u0421. 128\u2212131.<\/p>\n\n\n\n<p>\u0421\u043b\u043e\u0432\u043d\u0438\u043a-\u0434\u043e\u0432\u0456\u0434\u043d\u0438\u043a: \u0406\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u0430 \u0432\u043b\u0430\u0441\u043d\u0456\u0441\u0442\u044c. \u0423 2 \u0442. \u0422. 1. \u0410\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0435 \u043f\u0440\u0430\u0432\u043e \u0456 \u0441\u0443\u043c\u0456\u0436\u043d\u0456 \u043f\u0440\u0430\u0432\u0430 \/ \u041e. \u0414. \u0421\u0432\u044f\u0442\u043e\u0446\u044c\u043a\u0438\u0439, \u0412. \u0421. \u0414\u0440\u043e\u0431\u2019\u044f\u0437\u043a\u043e, \u0420. \u0412. \u0414\u0440\u043e\u0431\u2019\u044f\u0437\u043a\u043e. \u041a\u0438\u0457\u0432 : \u0406\u043d \u042e\u0440\u0435, 2000. 356 \u0441.<\/p>\n\n\n\n<p>\u0428\u0442\u0435\u0444\u0430\u043d \u041e. \u0412\u0438\u0440\u0456\u0448\u0435\u043d\u043d\u044f \u0441\u043f\u0440\u0430\u0432 \u043f\u0440\u043e \u043f\u043b\u0430\u0433\u0456\u0430\u0442: \u043d\u043e\u0432\u0435\u043b\u0438 \u0437\u0430\u043a\u043e\u043d\u043e\u0434\u0430\u0432\u0441\u0442\u0432\u0430. \u041f\u0440\u0438\u0432\u0430\u0442\u043d\u0435 \u043f\u0440\u0430\u0432\u043e \u0456 \u043f\u0456\u0434\u043f\u0440\u0438\u0454\u043c\u043d\u0438\u0446\u0442\u0432\u043e. 2023. \u2116 22. \u0421. 73\u201379.<br><a href=\"https:\/\/doi.org\/10.32849\/2409-9201.2023.22.9\">https:\/\/doi.org\/10.32849\/2409-9201.2023.22.9<\/a><\/p>\n\n\n\n<p>\u0428\u0442\u0435\u0444\u0430\u043d \u0410. \u0421. \u0426\u0438\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u0443 \u0442\u0432\u043e\u0440\u0430\u0445, \u0449\u043e \u0441\u0442\u0432\u043e\u0440\u044e\u044e\u0442\u044c\u0441\u044f \u043a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0438\u043c\u0438 \u0456\u043d\u0434\u0443\u0441\u0442\u0440\u0456\u044f\u043c\u0438. \u0422\u0435\u043e\u0440\u0456\u044f \u0456 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456. 2022. \u2116 3. \u0421. 15\u221225.<br><a href=\"https:\/\/doi.org\/10.33731\/32022.262618\">https:\/\/doi.org\/10.33731\/32022.262618<\/a><\/p>\n\n\n\n<p>\u0420\u0456\u0448\u0435\u043d\u043d\u044f \u0413\u043e\u0441\u043f\u043e\u0434\u0430\u0440\u0441\u044c\u043a\u043e\u0433\u043e \u0441\u0443\u0434\u0443 \u043c. \u041a\u0438\u0454\u0432\u0430 \u0432\u0456\u0434 12 \u0433\u0440\u0443\u0434\u043d\u044f 2011 \u0440\u043e\u043a\u0443. \u0421\u043f\u0440\u0430\u0432\u0430 \u2116 59\/197.<br><a href=\"https:\/\/verdictum.ligazakon.net\/document\/20844118\">https:\/\/verdictum.ligazakon.net\/document\/20844118<\/a><\/p>\n\n\n\n<p>Polska: Ustawa o prawie autorskim i prawach pokrewnych. (Wersja od: 6 grudnia 2022 r.). Dz. U. 1994 Nr 24 poz. 83.<br><a href=\"https:\/\/isap.sejm.gov.pl\/isap.nsf\/download.xsp\/WDU19940240083\/U\/D19940083Lj.pdf\">https:\/\/isap.sejm.gov.pl\/isap.nsf\/download.xsp\/WDU19940240083\/U\/D19940083Lj.pdf<\/a><\/p>\n\n\n\n<p>Eugeniusz Moczuk, Dorota Kamuda, Arkadiusz Le\u015bniak-Moczuk. Plagiat jako forma braku poszanowania praw autorskich pracownik\u00f3w nauki Perspektywa wiktymologiczna. Forum Polityki kryminalne. 2023. \u2116 2 (6). P. 15\u201326.<br><a href=\"https:\/\/doi.org\/10.31261\/FPK.2023.06.04\">https:\/\/doi.org\/10.31261\/FPK.2023.06.04<\/a><\/p>\n\n\n\n<p>Germany: Act on Copyright and Related Rights (Copyright Act, as amended up to Act of September 1, 2017).<br><a href=\"https:\/\/wipolex.wipo.int\/en\/text\/474263\">https:\/\/wipolex.wipo.int\/en\/text\/474263<\/a><\/p>\n\n\n\n<p>Germany: Bundesgerichtshof (BGH) Urteil gegen Setlur-Komponisten. &nbsp;(Urt. v. 17.08.2011, Az. 5 U 48\/05).<br><a href=\"https:\/\/www.lto.de\/recht\/nachrichten\/n\/urteil-gegen-setlur-komponisten-kurzes-sample-langer-prozess\/\">https:\/\/www.lto.de\/recht\/nachrichten\/n\/urteil-gegen-setlur-komponisten-kurzes-sample-langer-prozess\/<\/a><\/p>\n\n\n\n<p>\u0424\u0435\u0434\u043e\u0440\u043e\u0432\u0430 \u041d. \u0421\u043a\u043b\u0430\u0434 \u0430\u0432\u0442\u043e\u0440\u0456\u0432 \u0440\u0435\u043a\u043b\u0430\u043c\u0438 \u044f\u043a \u0430\u0443\u0434\u0456\u043e\u0432\u0456\u0437\u0443\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0442\u0432\u043e\u0440\u0443. \u0422\u0435\u043e\u0440\u0456\u044f \u0456 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456. 2023. \u2116 4\u22125. \u0421. 20\u201327.<br><a href=\"https:\/\/doi.org\/10.33731\/4-52023.289637\">https:\/\/doi.org\/10.33731\/4-52023.289637<\/a><\/p>\n\n\n\n<p>United States: Court decision. Trifari, Krussman &#038; Fishel, Inc. v Charel Co., 134 F Supp 551 (1955, DC NY).<br><a href=\"https:\/\/www.copyright.gov\/rulings-filings\/review-board\/docs\/Flashing-Gold-and-Silver-Stars-as-Earings-and-Pins.pdf\">https:\/\/www.copyright.gov\/rulings-filings\/review-board\/docs\/Flashing-Gold-and-Silver-Stars-as-Earings-and-Pins.pdf<\/a><\/p>\n\n\n\n<p>\u0421\u0435\u043c\u0435\u043d\u0456\u043a \u041e. \u041a\u0440\u0435\u0430\u0442\u0438\u0432\u043d\u0456 \u0456\u043d\u0434\u0443\u0441\u0442\u0440\u0456\u0457 vs \u043f\u043b\u0430\u0433\u0456\u0430\u0442: 5 \u043d\u0430\u0439\u0433\u0443\u0447\u043d\u0456\u0448\u0438\u0445 \u0443\u043a\u0440\u0430\u0457\u043d\u0441\u044c\u043a\u0438\u0445 \u0441\u043f\u0440\u0430\u0432 \u0446\u044c\u043e\u0433\u043e \u0440\u043e\u043a\u0443 (2019).<br><a href=\"https:\/\/nachasi.com\/creative\/2019\/09\/06\/creative-industries-plagiarism\/\">https:\/\/nachasi.com\/creative\/2019\/09\/06\/creative-industries-plagiarism\/<\/a><\/p>\n\n\n\n<p>\u041b\u043e\u043d\u0433\u0432\u0438\u043d\u0435\u043d\u043a\u043e \u041c., \u0414\u0438\u043a\u043e\u0432\u0435\u0446\u044c \u0410. \u041f\u0440\u0430\u0432\u043e\u0432\u0456 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0438 \u0437\u0430\u0445\u0438\u0441\u0442\u0443 \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0438\u0445 \u043f\u0440\u0430\u0432 \u0432\u0456\u0434 \u043f\u0456\u0440\u0430\u0442\u0441\u0442\u0432\u0430 \u0432 \u043c\u0435\u0440\u0435\u0436\u0456 \u0456\u043d\u0442\u0435\u0440\u043d\u0435\u0442. \u0422\u0435\u043e\u0440\u0456\u044f \u0456 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456. 2020. \u2116 2. \u0421. 5\u201311.<br><a href=\"https:\/\/doi.org\/10.33731\/22020.208041\">https:\/\/doi.org\/10.33731\/22020.208041<\/a><\/p>\n\n\n\n<p>\u0410\u043d\u0434\u0440\u043e\u0449\u0443\u043a \u0413. \u0426\u0438\u0444\u0440\u043e\u0432\u0435 \u043f\u0456\u0440\u0430\u0442\u0441\u0442\u0432\u043e \u0442\u0430 \u043a\u043e\u043d\u0442\u0440\u0430\u0444\u0430\u043a\u0446\u0456\u044f \u0432 \u0443\u043c\u043e\u0432\u0430\u0445 \u0446\u0438\u0444\u0440\u043e\u0432\u043e\u0457 \u0442\u0440\u0430\u043d\u0441\u0444\u043e\u0440\u043c\u0430\u0446\u0456\u0457: \u0430\u043d\u0430\u043b\u0456\u0437 \u0441\u0442\u0430\u043d\u0443, \u0442\u0435\u043d\u0434\u0435\u043d\u0446\u0456\u0457, \u043c\u0435\u0445\u0430\u043d\u0456\u0437\u043c\u0438 \u043f\u0440\u043e\u0442\u0438\u0434\u0456\u0457. \u0422\u0435\u043e\u0440\u0456\u044f \u0456 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456. 2023. \u2116 3. \u0421. 97\u2013108.<br><a href=\"https:\/\/doi.org\/10.33731\/32023.282327\">https:\/\/doi.org\/10.33731\/32023.282327<\/a><\/p>\n\n\n\n<p>Chatterley Andy. The Publishing Industry Piracy Report. MUSO London. 2022. P. 1\u221213.<br><a href=\"https:\/\/activelex.com\/wp-content\/uploads\/2024\/02\/MUSO-2022-Publishing-Piracy-Report.pdf\">https:\/\/activelex.com\/wp-content\/uploads\/2024\/02\/MUSO-2022-Publishing-Piracy-Report.pdf<\/a><\/p>\n\n\n\n<p>\u041d\u043e\u0432\u043e\u0441\u0435\u043b\u044c\u0441\u044c\u043a\u0430 \u0406., \u0414\u043e\u0431\u043a\u0456\u043d\u0430 \u041a. \u0410\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u0456 \u043f\u0438\u0442\u0430\u043d\u043d\u044f \u043f\u0456\u0440\u0430\u0442\u0441\u0442\u0432\u0430 \u0443 \u0441\u0444\u0435\u0440\u0456 \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u043e\u0433\u043e \u043f\u0440\u0430\u0432\u0430 \u0432 \u043c\u0435\u0440\u0435\u0436\u0456 \u0456\u043d\u0442\u0435\u0440\u043d\u0435\u0442. Dictum Factum. 2023. \u2116 4. \u0421. 19\u201330.<\/p>\n\n\n\n<p>\u0411\u043e\u043d\u0434\u0430\u0440\u0435\u043d\u043a\u043e \u041e. \u0421., \u041a\u043e\u043d\u0434\u0454\u0454\u0432 \u0404. \u0421. \u041a\u0440\u0438\u043c\u0456\u043d\u0430\u043b\u044c\u043d\u043e-\u043f\u0440\u0430\u0432\u043e\u0432\u0430 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a\u0430 \u043a\u0430\u043c\u043a\u043e\u0440\u0434\u0438\u043d\u0433\u0443, \u043a\u0430\u0440\u0434\u0448\u0435\u0440\u0456\u043d\u0433\u0443 \u0442\u0430 \u043f\u0456\u0440\u0430\u0442\u0441\u0442\u0432\u0430 \u044f\u043a \u0444\u043e\u0440\u043c \u043f\u043e\u0440\u0443\u0448\u0435\u043d\u043d\u044f \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u043e\u0433\u043e \u043f\u0440\u0430\u0432\u0430 \u0442\u0430 \u0441\u0443\u043c\u0456\u0436\u043d\u0438\u0445 \u043f\u0440\u0430\u0432. \u042e\u0440\u0438\u0434\u0438\u0447\u043d\u0438\u0439 \u043d\u0430\u0443\u043a\u043e\u0432\u0438\u0439 \u0435\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b. 2018. \u2116 3. \u0421. 177\u2013179.<\/p>\n\n\n\n<p>Kocwin Julitta. Wlasnosc intelektualna a piractwo medialne. Wydzial Prawa, Uniwersytet Wroclawski. 2019. \u2116 9. p. 193\u2013217.<\/p>\n\n\n\n<p>Klaus Graf. Urheberrechtsfibel \u2014 nicht nur fur Piraten. Berlin: Contumax-Verlag, 2019. 283 p.<\/p>\n\n\n\n<p>Switzerland: Federal law on copyright and related rights (Copyright Act, as amended up to Act of Juli 1, 2023).<br><a href=\"https:\/\/www.fedlex.admin.ch\/eli\/cc\/1993\/1798_1798_1798\/de\">https:\/\/www.fedlex.admin.ch\/eli\/cc\/1993\/1798_1798_1798\/de<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Theory and practice of intellectual property\u2116 3 \/ 2024 ISSN (Print) 2308-0361ISSN (Online) 2519-2744 DOI: https:\/\/doi.org\/10.33731\/32024.311579 Submitted&nbsp; &nbsp;&nbsp; 2024-08-04Accepted &nbsp;&nbsp; &nbsp; 2024-08-20Published &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;2024-09-18 Plagiarism and piracy as types of copyright infringement in the creative industries Nadi\u0443a FedorovaPhD in Law, acting Academic Secretary at the Intellectual Property Scientific Research Institute of the National Academy of Legal [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7995","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/7995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/comments?post=7995"}],"version-history":[{"count":6,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/7995\/revisions"}],"predecessor-version":[{"id":8235,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/7995\/revisions\/8235"}],"wp:attachment":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/media?parent=7995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}