![\"\"](\"https:\/\/inprojournal.org\/wp-content\/uploads\/2023\/03\/018-cover-734x1024.jpg\")
<\/figure>\n\n\n\nTheory and practice of intellectual property
\u2116 1 \/ 2019<\/p>\n\n\n\n
ISSN (Print) 2308-0361
ISSN (Online) 2519-2744<\/p>\n\n\n\n
![\"\"](\"https:\/\/test.inprojournal.org\/wp-content\/uploads\/2023\/01\/free-icon-pdf-201153.png\"){kind=icon}
PDF (Ukrainian)<\/a><\/div>\n<\/div>\n\n\n\nDOI: https:\/\/doi.org\/10.33731\/12019.162729<\/a><\/p>\n\n\n\n Published \u00a0\u00a0\u00a0\u00a0\u00a02019-02-28<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n<\/div>\n\n\n\n Features of copyright in the photographic works created during the model photoshoot<\/strong><\/p>\n\n\n\n Olha Ulitina<\/strong> Abstract Keywords: <\/strong>copyright, photography, joint-authorship, photographic work, agreement between photographer and model, subject of photographic image<\/p>\n\n\n\n References<\/strong><\/p>\n\n\n\n \u0416\u0430\u0440\u043a\u043e \u041e. \u0413. \u041f\u0440\u043e\u0431\u043b\u0435\u043c\u043d\u0456 \u0430\u0441\u043f\u0435\u043a\u0442\u0438 \u0432\u0438\u0437\u043d\u0430\u0447\u0435\u043d\u043d\u044f \u0432\u0456\u0434\u043d\u043e\u0441\u0438\u043d \u0441\u043f\u0456\u0432\u0430\u0432\u0442\u043e\u0440\u0441\u0442\u0432\u0430 \u0432 \u0446\u0438\u0432\u0456\u043b\u044c\u043d\u043e\u043c\u0443 \u0437\u0430\u043a\u043e\u043d\u043e\u0434\u0430\u0432\u0441\u0442\u0432\u0456 \u0423\u043a\u0440\u0430\u0457\u043d\u0438. Jurnalul juridic national: teorie \u015fi practic\u0103. 2018. \u2116 5 (33). \u0421. 122\u2013125.<\/p>\n\n\n\n \u0406\u0437\u0431\u0430\u0448 \u041e. \u041e. \u041f\u0440\u0430\u0432\u043e\u0432\u0435 \u0440\u0435\u0433\u0443\u043b\u044e\u0432\u0430\u043d\u043d\u044f \u0441\u043f\u0456\u0432\u0430\u0432\u0442\u043e\u0440\u0441\u0442\u0432\u0430. \u0410\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u0456 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0438 \u043f\u043e\u043b\u0456\u0442\u0438\u043a\u0438: \u0437\u0431. \u043d\u0430\u0443\u043a. \u043f\u0440. \u0412\u0438\u043f. 52 \/ \u0433\u043e\u043b\u043e\u0432. \u0440\u0435\u0434. \u0421. \u0412. \u041a\u0456\u0432\u0430\u043b\u043e\u0432; \u041d\u0423 \u041e\u042e\u0410; \u041f\u0456\u0432\u0434\u0435\u043d\u043d\u043e\u0443\u043a\u0440. \u0446\u0435\u043d\u0442\u0440 \u0433\u0435\u043d\u0434\u0435\u0440. \u043f\u0440\u043e\u0431\u043b\u0435\u043c. \u041e\u0434\u0435\u0441\u0430 : \u0424\u0435\u043d\u0456\u043a\u0441, 2014. \u0421. 343\u2013352.<\/p>\n\n\n\n \u0412\u0438\u043a\u043e\u0440\u0438\u0441\u0442\u0430\u043d\u043d\u044f \u043e\u0431\u2019\u0454\u043a\u0442\u0456\u0432 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456 \u0432 \u0440\u0435\u043a\u043b\u0430\u043c\u0456 : \u043d\u0430\u0432\u0447. \u043f\u043e\u0441\u0456\u0431. \u0434\u043b\u044f \u0432\u0438\u0449. \u043d\u0430\u0432\u0447. \u0437\u0430\u043a\u043b.\/ \u0422. \u0406. \u0411\u0438\u0440\u043a\u043e\u0432\u0438\u0447, \u0406. \u0421. \u0411\u043e\u043d\u0434\u0430\u0440, \u0420. \u0411. \u0428\u0438\u0448\u043a\u0430, \u0406. \u041c. \u0421\u043e\u043f\u0456\u043b\u043a\u043e, \u041d. \u0412. \u0424\u0456\u043b\u0438\u043a \u0442\u0430 \u0456\u043d.; \u041c-\u0432\u043e \u043e\u0441\u0432\u0456\u0442\u0438 \u0456 \u043d\u0430\u0443\u043a\u0438 \u0423\u043a\u0440\u0430\u0457\u043d\u0438, \u041c-\u0432\u043e \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0438 \u0423\u043a\u0440\u0430\u0457\u043d\u0438, \u041a\u0438\u0457\u0432. \u043d\u0430\u0446. \u0443\u043d-\u0442 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0438 \u0456 \u043c\u0438\u0441\u0442\u0435\u0446\u0442\u0432. \u041a.: \u0412\u0438\u0434. \u0446\u0435\u043d\u0442\u0440 \u041a\u041d\u0423\u041a\u0456\u041c, 2016. 520 \u0441.<\/p>\n\n\n\n \u0427\u0443\u0439\u043a\u043e\u0432\u0430 \u0412. \u042e. \u0423\u043c\u043e\u0432\u0438 \u0442\u0430 \u043e\u0437\u043d\u0430\u043a\u0438 \u0434\u043e\u0433\u043e\u0432\u043e\u0440\u0443 \u043c\u0456\u0436 \u0441\u043f\u0456\u0432\u0430\u0432\u0442\u043e\u0440\u0430\u043c\u0438 \u0432 \u0423\u043a\u0440\u0430\u0457\u043d\u0456. \u0412\u0456\u0441\u043d\u0438\u043a \u0425\u0430\u0440\u043a\u0456\u0432\u0441\u044c\u043a\u043e\u0433\u043e \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0443 \u0456\u043c\u0435\u043d\u0456 \u0412. \u041d. \u041a\u0430\u0440\u0430\u0437\u0456\u043d\u0430. \u0421\u0435\u0440\u0456\u044f: \u041f\u0440\u0430\u0432\u043e. 2016. \u0432\u0438\u043f. 22. \u0421. 129\u2013134.<\/p>\n\n\n\n \u042f\u0440\u043a\u0456\u043d\u0430 \u041d. \u0404. \u0421\u043f\u043e\u0441\u043e\u0431\u0438 \u0437\u0434\u0456\u0439\u0441\u043d\u0435\u043d\u043d\u044f \u043f\u0440\u0430\u0432\u0430 \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456, \u044f\u043a\u0435 \u043d\u0430\u043b\u0435\u0436\u0438\u0442\u044c \u0434\u0435\u043a\u0456\u043b\u044c\u043a\u043e\u043c \u043e\u0441\u043e\u0431\u0430\u043c \u0441\u043f\u0456\u043b\u044c\u043d\u043e. \u041d\u0430\u0443\u043a\u043e\u0432\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b \u00ab\u041f\u0440\u0438\u0432\u0430\u0442\u043d\u0435 \u043f\u0440\u0430\u0432\u043e\u00bb. 2013. \u2116 2. \u0421. 252\u2013259.<\/p>\n\n\n\n Chapman Eric Own the Dance: Analyzing Issues of Joint Authorship and Choreographic Works May 04, 2017. Biron, L. & Cooper, E. Law and Philos (2016) 35: 55. \u0417\u0432\u0430\u0440\u0438\u0447 \u0416. \u0406. \u041f\u0435\u0440\u0432\u0438\u043d\u043d\u0456 \u0441\u0443\u0431\u2019\u0454\u043a\u0442\u0438 \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u043e\u0433\u043e \u043f\u0440\u0430\u0432\u0430 \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0447\u043d\u0456 \u0442\u0432\u043e\u0440\u0438. \u0423\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0441\u044c\u043a\u0456 \u043d\u0430\u0443\u043a\u043e\u0432\u0456 \u0437\u0430\u043f\u0438\u0441\u043a\u0438. 2010. \u2116 3. \u0421. 77\u201381.<\/p>\n\n\n\n \u041a\u0438\u0440\u0438\u043b\u044e\u043a \u0410. \u0412. \u0423\u0447\u0430\u0441\u043d\u0438\u043a\u0438 \u043f\u0440\u043e\u0446\u0435\u0441\u0443 \u0441\u0442\u0432\u043e\u0440\u0435\u043d\u043d\u044f \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0457. \u0422\u0440\u0430\u0434\u0438\u0446\u0456\u0457 \u0442\u0430 \u043d\u043e\u0432\u0430\u0446\u0456\u0457 \u044e\u0440\u0438\u0434\u0438\u0447\u043d\u043e\u0457 \u043d\u0430\u0443\u043a\u0438: \u043c\u0438\u043d\u0443\u043b\u0435, \u0441\u0443\u0447\u0430\u0441\u043d\u0456\u0441\u0442\u044c, \u043c\u0430\u0439\u0431\u0443\u0442\u043d\u0454 : \u043c\u0430\u0442\u0435\u0440. \u041c\u0456\u0436\u043d\u0430\u0440. \u043d\u0430\u0443\u043a.-\u043f\u0440\u0430\u043a\u0442. \u043a\u043e\u043d\u0444. (\u043c. \u041e\u0434\u0435\u0441\u0430, 19 \u0442\u0440\u0430\u0432. 2017 \u0440.). \u0423 2-\u0445 \u0442. \u0422. 2 \/ \u0432\u0456\u0434\u043f. \u0440\u0435\u0434. \u0413. \u041e. \u0423\u043b\u044c\u044f\u043d\u043e\u0432\u0430. \u041e\u0434\u0435\u0441\u0430: \u0413\u0435\u043b\u044c\u0432\u0435\u0442\u0438\u043a\u0430, 2017. \u0421. 606\u2013609.<\/p>\n\n\n\n Corbett, Susan Felicity, The Case for Joint Ownership of Copyright in Photographs of Identifiable Persons (September 21, 2013). Media and Arts Law Review, December 2013, Forthcoming. Ncube, Caroline B. and Oriakhogba, Desmond, Monkey Selfie and Authorship in Copyright Law: The Nigerian and South African Perspectives (April 9, 2018). CB Ncube and DO Oriakhogba \u00abMonkey Selfie and Authorship in Copyright Law: The Nigerian and South African Perspectives\u00bb (2018) 21 PER\/PELJ. \u041f\u0440\u043e \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0435 \u043f\u0440\u0430\u0432\u043e \u0456 \u0441\u0443\u043c\u0456\u0436\u043d\u0456 \u043f\u0440\u0430\u0432\u0430: \u0417\u0430\u043a\u043e\u043d \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u2116 3792-XII \u0432\u0456\u0434 23.12.1993 \u0440\u043e\u043a\u0443. \u0412\u0412\u0420. 1994. \u2116 13. C\u0442. 64.<\/p>\n\n\n\n \u0426\u0438\u0432\u0456\u043b\u044c\u043d\u0438\u0439 \u043a\u043e\u0434\u0435\u043a\u0441 \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0432\u0456\u0434 16.01.2003 \u0440\u043e\u043a\u0443. \u0412\u0412\u0420. 2003. \u2116\u2116 40\u201344. \u0421\u0442. 356.<\/p>\n\n\n\n \u0420\u0456\u0448\u0435\u043d\u043d\u044f \u0413\u043e\u043b\u043e\u0441\u0456\u0457\u0432\u0441\u044c\u043a\u043e\u0433\u043e \u0440\u0430\u0439\u043e\u043d\u043d\u043e\u0433\u043e \u0441\u0443\u0434\u0443 \u043c. \u041a\u0438\u0454\u0432\u0430 \u0432\u0456\u0434 13.06.2017 \u0440\u043e\u043a\u0443 \u043f\u043e \u0441\u043f\u0440\u0430\u0432\u0456 \u2116 752\/7762\/16-\u0446. \u0423\u043a\u0430\u0437 \u041f\u0440\u0435\u0437\u0438\u0434\u0435\u043d\u0442\u0430 \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u00ab\u041f\u0440\u043e \u0443\u0442\u0432\u043e\u0440\u0435\u043d\u043d\u044f \u0412\u0438\u0449\u043e\u0433\u043e \u0441\u0443\u0434\u0443 \u0437 \u043f\u0438\u0442\u0430\u043d\u044c \u0456\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0457 \u0432\u043b\u0430\u0441\u043d\u043e\u0441\u0442\u0456\u00bb \u0432\u0456\u0434 29.09.2017 \u0440\u043e\u043a\u0443 \u2116 299\/2017.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":" Theory and practice of intellectual property\u2116 1 \/ 2019 ISSN (Print) 2308-0361ISSN (Online) 2519-2744 DOI: https:\/\/doi.org\/10.33731\/12019.162729 Published \u00a0\u00a0\u00a0\u00a0\u00a02019-02-28 Features of copyright in the photographic works created during the model photoshoot Olha UlitinaUkraine AbstractThe article is dedicated to the problem of joint-authorship of the photographic work. Author analyses Ukrainian legislation and case law to answer the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10729","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/10729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/comments?post=10729"}],"version-history":[{"count":2,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/10729\/revisions"}],"predecessor-version":[{"id":10731,"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/pages\/10729\/revisions\/10731"}],"wp:attachment":[{"href":"https:\/\/inprojournal.org\/en\/wp-json\/wp\/v2\/media?parent=10729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/inprojournal.org\/wp-content\/uploads\/2025\/11\/CC-2.png\")
<\/figure>\n\n\n\n
Ukraine<\/p>\n\n\n\n
<\/strong>The article is dedicated to the problem of joint-authorship of the photographic work. Author analyses Ukrainian legislation and case law to answer the question, whether the photographer and model may be co-owners of intellectual property rights in photo. The author proves the possibility of joint authorship in this case, as it does not contradict the Ukrainian law. The article contains the analysis of existing Ukrainian legislation in this field, which regulates copyright questions between the photographer and the model. The author delineates the copyright of the photographer and the personal non-proprietary rights of the model involved in the photoshoot. The article defines the place of the photomodel in the system of subjects of copyright. It is proposed to distinguish the model as subject of the photographic image. This definition may simplify the question of model\u2019s copyright on photographic work. The author defines the features of the contract between the photographer and the model, outlining the main provisions that such contract should include, taking into account the interests of the photographer and model.<\/p>\n\n\n\n
http:\/\/dx.doi.org\/10.2139\/ssrn.3101193<\/a><\/p>\n\n\n\n
https:\/\/doi.org\/10.1007\/s10982-015-9244-y<\/a><\/p>\n\n\n\n
https:\/\/ssrn.com\/abstract=2343357<\/a><\/p>\n\n\n\n
https:\/\/ssrn.com\/abstract=3300649<\/a><\/p>\n\n\n\n
http:\/\/www.reyestr.court.gov.ua\/Review\/69447961<\/a><\/p>\n\n\n\n